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On Lao She's vernacular language view

Author: LiJun
Tutor: ZuoRongBen
School: Yangzhou University
Course: Literature and Art
Keywords: Lao she vernacular langue nationalization aesthetic characteristic
CLC: I045
Type: Master's thesis
Year: 2012
Downloads: 51
Quote: 0
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Abstract


Lao she, a famous writer in our modern literature history, enjoys the reputation as a language art master. As an excellent language art master, he has unique understandings of literary language. His understandings and interpretations of the language are deeply worth our studying, with a lot of people studying them in the ancient and modem times, home and abroad. This paper extracts the vernacular language view from his various language points and based on this starting point, the paper discusses the crucial position of the vernacular language in Lao she’s language use and literary creation and the original contribution Lao she has made through his construction of the vernacular language.The first chapter discusses the formation Lao she’s vernacular language. In my opinion, the concept of the vernacular language is related with the reform of words by celebrities in late Qing dynasty, and the rise of the vernacular in May4movement. It is this particular historical context that provides a powerful opportunity for Lao she’s creation of the modern Chinese literature. In this historic opportunity, Lao she consciously rejected the ancient classical Chinese, choosing the vernacular Chinese language and having formed the pure and the common as the core of the vernacular Chinese language.The second chapter discusses the purity and the nationalization view of the vernacular language in Lao she’s vernacular language construction system. After the victory of the modern Chinese, it replaced the ancient Chinese and became the authentic literature. But as it is still in the initial stage of development, how to improve vernacular language is under great discussion. Many people introduced the ancient classical Chinese, ancient vernacular Chinese and western languages, vocabularies, grammars and rhetoric methods, giving rise to the mix and the European tendency. As for this, Lao she criticized this attitude, advocating the purity and nationalization of the vernacular language which can make good literature works, form the vernacular discourse system and the art aesthetic construction.The third chapter discusses Lao she’s art aesthetic characteristics of the vernacular language. Writing the art aesthetic characteristics of the vernacular language has always been Lao she’s unremitting pursuit. But as far as I think, Lao she’s pursuit of the beauty of the language doesn’t lie in using too much rhetoric or describing to modify oral modern Chinese, but in the purity, commonness and nationalization of the modern language itself to express the natural beauty of briefness, musical easiness and humor.

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