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Causes of Image Terminal: Production, Demand and Its Extension

Author: GuWenJia
Tutor: GuanHuaiBin
School: China Academy of Art
Course: Fine Arts
Keywords: photography screen personal terminal viewingmode
CLC: J409
Type: Master's thesis
Year: 2013
Downloads: 10
Quote: 0
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Abstract


"Video recording" This work began in1839to France. Since then,almost all things are filmed down. This vision of the Church that we allabsorb a new visual rules. It has changed and expanded ourunderstanding of what is worth seeing, and we are entitled to payattention to what the concept. The performance of the camera hasbecome the world rubbing terminal tool. Images from manufacturingskills from a specific population of liberation, made like to become ademocratic way. This change in the way on the manufacture, and theresulting image can be conveniently manufactured needs. And thisnew technology as an extension of human needs to obtain images ofvarious factors brought about.Before the Industrial Revolution, body was the terminal tool to getthe image of the world, and people created visual experiences abouttheir judgment of the world through painting, sculpture or architecture.And then, with the development of the Industrial Revolution and ourneed for getting images, the mechanical reproduction of photographygave us a feeling–to collect photographs is to collect the world.Since1990s when the World Wide Web (www) was just established,the way of electronic terminal started entering everyday life. Digitalspaces on web such as emails and hypertexts came into being. Theproduction of moving images developed in an excessive way with thequick development of digital techniques. Following the period of web2.0in21stcentury, dominated by smart handheld terminals and socialnetworks, it is hard for photographs of entire people in smart terminalsto be taken simplified as to primary photographs. Obviously, thenarrative about production system and propulsion about photographyin the past (such as analog images or silver salt images, etc.) had tobe changed to discuss and analyze the situation behind the current image needs. In such changes, will the subject position of thecameraman and the audiences get exchanged? Will the sharingsystem in the digital field dominate or change the fundamental ethicalvalue of the production system of photography?

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