Shanghai Conservatory of Music

About 1059 item dissertation in line with Shanghai Conservatory of Music query results,the following is 1 to 50(Search took 0.02 seconds)

Composition Ideas and Techniques Research of Mixed Electronic-music Which in Chamber and Electronic-music Style,WangTianTian/Shanghai Conservatory of Music,0/117
《Discussion on He Lvting's Music Education Practice》,PengSiJing/Shanghai Conservatory of Music,0/33
Exploration and Countermeasures of Resource Integration Strategy in the Operation of the Stage Play,WangXiaoYan/Shanghai Conservatory of Music,0/30
Research on Administration of the Practice of Art in Shanghai Conservatory of Music,ChengZuoZuo/Shanghai Conservatory of Music,0/200
《The History of Music Education of Primary and Secondary Schools in Taiwan (1895-2010)》,JinMin/Shanghai Conservatory of Music,0/2
Study on the System of Music Instructor in China,LiJiaDong/Shanghai Conservatory of Music,0/99
《Rhythm-Movement-Using"Multi-sense"for Development of Music Cognition》,HanXiang/Shanghai Conservatory of Music,0/148
The Music Curriculum Development in China from the End of20Century,WuAnNa/Shanghai Conservatory of Music,0/195
Translation Work Claimins Diaspora and Book Review,DuanJinZuo/Shanghai Conservatory of Music,0/233
The Research on Program Planning and Management of Shanghai Grand Theatre,SongYang/Shanghai Conservatory of Music,0/328
Auditory Sense of Space Shaping of Motion Picture Arts,ZhongChaoChao/Shanghai Conservatory of Music,0/77
The Study of Wagner’s Idea of Music Dramma,LiuZhen/Shanghai Conservatory of Music,0/2
Thesis on Character Shaping of Joy in Musical "Show Boat",LiuJiBin/Shanghai Conservatory of Music,0/1
The Research of Monteverdi’s L’Incoronazione Di Poppea,Feng/Shanghai Conservatory of Music,0/1
The Study on Role Shaping Steps by Musical Performer,ZhangXiaoMin/Shanghai Conservatory of Music,0/1
The Main Character Actor Establishing the Character of Iekyll and Hyde from the Musical《Jekyll and Hyde》,HuangGuanChao/Shanghai Conservatory of Music,0/47
The Study of the Musical Rent,FangHui/Shanghai Conservatory of Music,0/43
The Exploration of Pingliang Melody Opera Singing Art,CaoZuo/Shanghai Conservatory of Music,0/44
How to Adapt Variety of Musical Role,XueJie/Shanghai Conservatory of Music,0/50
Analysis of Verdi’s Opera"Don Carlo" Philip Ⅱ as the Center of the Dramatic Embodiment,ShenGuangYao/Shanghai Conservatory of Music,0/51
On the Applying and Integration of Vocal Cavity of Yue Opera in Chinese Musical Theater Singing,Taking Pieces of the Concert as the Case,MaZuoJun/Shanghai Conservatory of Music,0/68
The Character of Giulietta in Bellini’s Opera of I Capuletti Ed I Montecchi,JiangZuo/Shanghai Conservatory of Music,0/58
Musical and Human Interaction in Jinkun Puppet Troupe from Suichang:a Performative View,LiYa/Shanghai Conservatory of Music,1/62
On the Characterization of the Heroine in Musical Theater Aida,ZhouMinXia/Shanghai Conservatory of Music,0/83
On Onera ’Werther’ by Massenet,DuJinZe/Shanghai Conservatory of Music,0/86
Imaging of Santuzza in Cavalleria Rustican by Pietro Mascagni,FanSiZuo/Shanghai Conservatory of Music,0/75
A Study of the Secret Garden,TaoRan/Shanghai Conservatory of Music,0/82
How to Utilize One’s Voice to Create Characters,LiQi/Shanghai Conservatory of Music,0/90
The Image-shaping of Rusalka in the Opera Rusalka by Antonin Dvorak,ZhengZuoQiong/Shanghai Conservatory of Music,0/83
The Comparison of Curriculm of Musical Theatre Study at University,MaJie/Shanghai Conservatory of Music,0/135
Musical Structure and Style of the Night of the Banquet,WangYiBo/Shanghai Conservatory of Music,0/137
Inspiration and Experience of the Practice of Meipai Art in Beijing Opera,ZhangJing/Shanghai Conservatory of Music,0/167
The History and Change of Pingtan School----the Narrative of ’School Mechanism’ in Shanghai,ZhangYanLi/Shanghai Conservatory of Music,0/164
Analysis on Characterization and Music of Despina in the Opera ’Cosi Fan Tutte’,LiuAnNa/Shanghai Conservatory of Music,1/122
The Musical Image Shape of Soprano in the Mozart’s Oprea "Don Giovanni",XuXin/Shanghai Conservatory of Music,1/219
A Musical Actor Should Improve Ability of Adapt to the Role of Market Demand,FuXiang/Shanghai Conservatory of Music,0/1
The Brand Scheme and Marketing of Shanghai Lyceum Theatre,HuangXin/Shanghai Conservatory of Music,0/236
Verdi Oper<Falstaff> MR,Ford Aria Appreciation,LuoYin/Shanghai Conservatory of Music,0/3
Analysis on Creation and Performance of the Aria of "No Tears, No Sadness",YangJing/Shanghai Conservatory of Music,0/2
Johnson Characters Analysis in the Opera 《the Girl of the Golden West》,HeJianWen/Shanghai Conservatory of Music,0/1
The Research of Voice Creation in Musical 《Nieer》,TuRan/Shanghai Conservatory of Music,0/1
The Musical Image of Semele in the Oratorio Semele by G.F.Handel,ZhangZuo/Shanghai Conservatory of Music,0/2
Mozart’s Opera "Cosi Fan Tutte"Middle Ages Column Mo Image Analysis and Interpretation of the Role,TianYuan/Shanghai Conservatory of Music,0/2
Music’s Dramatic Functions in Musicals and Their Manifestation in Man in a Box,QiuXiaoLiu/Shanghai Conservatory of Music,0/3
The Speech of a Role Does Have an Effect on Singing in a Musical,DangZuoZuo/Shanghai Conservatory of Music,0/2
Imaging of Anna in LE VILLI by Puccini,YangShangZuo/Shanghai Conservatory of Music,0/1
An Analysis of the First Classic Opera Buffa--Pergolesi’s La Serva Padrona,LiLiPing/Shanghai Conservatory of Music,0/5
Study of Shaoxing Opera Music"the Red Chamber Dream",TianDaoShiZuoZi/Shanghai Conservatory of Music,0/4
"Yan Yan Matchmaking" and the Connections between the Chinese Operas and Folk Songs,YuWeiJie/Shanghai Conservatory of Music,0/3
Analysis of the Artistic Composition and the Singing Technique of Mozart’s Opera "Cosi Fan Tutte",ChenJingWei/Shanghai Conservatory of Music,0/1