Dissertation 

About 1059 item dissertation in line with Shanghai Conservatory of Music query results,the following is 1 to 50(Search took 0.062 seconds)

  1. Composition Ideas and Techniques Research of Mixed Electronic-music Which in Chamber and Electronic-music Style,WangTianTian/Shanghai Conservatory of Music,0/117
  2. 《Discussion on He Lvting's Music Education Practice》,PengSiJing/Shanghai Conservatory of Music,0/33
  3. Exploration and Countermeasures of Resource Integration Strategy in the Operation of the Stage Play,WangXiaoYan/Shanghai Conservatory of Music,0/30
  4. Research on Administration of the Practice of Art in Shanghai Conservatory of Music,ChengZuoZuo/Shanghai Conservatory of Music,0/200
  5. 《The History of Music Education of Primary and Secondary Schools in Taiwan (1895-2010)》,JinMin/Shanghai Conservatory of Music,0/2
  6. Study on the System of Music Instructor in China,LiJiaDong/Shanghai Conservatory of Music,0/99
  7. 《Rhythm-Movement-Using"Multi-sense"for Development of Music Cognition》,HanXiang/Shanghai Conservatory of Music,0/148
  8. The Music Curriculum Development in China from the End of20Century,WuAnNa/Shanghai Conservatory of Music,0/195
  9. Translation Work Claimins Diaspora and Book Review,DuanJinZuo/Shanghai Conservatory of Music,0/233
  10. The Research on Program Planning and Management of Shanghai Grand Theatre,SongYang/Shanghai Conservatory of Music,0/328
  11. Auditory Sense of Space Shaping of Motion Picture Arts,ZhongChaoChao/Shanghai Conservatory of Music,0/77
  12. The Study of Wagner’s Idea of Music Dramma,LiuZhen/Shanghai Conservatory of Music,0/2
  13. Thesis on Character Shaping of Joy in Musical "Show Boat",LiuJiBin/Shanghai Conservatory of Music,0/1
  14. The Research of Monteverdi’s L’Incoronazione Di Poppea,Feng/Shanghai Conservatory of Music,0/1
  15. The Study on Role Shaping Steps by Musical Performer,ZhangXiaoMin/Shanghai Conservatory of Music,0/1
  16. The Main Character Actor Establishing the Character of Iekyll and Hyde from the Musical《Jekyll and Hyde》,HuangGuanChao/Shanghai Conservatory of Music,0/47
  17. The Study of the Musical Rent,FangHui/Shanghai Conservatory of Music,0/43
  18. The Exploration of Pingliang Melody Opera Singing Art,CaoZuo/Shanghai Conservatory of Music,0/44
  19. How to Adapt Variety of Musical Role,XueJie/Shanghai Conservatory of Music,0/50
  20. Analysis of Verdi’s Opera"Don Carlo" Philip Ⅱ as the Center of the Dramatic Embodiment,ShenGuangYao/Shanghai Conservatory of Music,0/51
  21. On the Applying and Integration of Vocal Cavity of Yue Opera in Chinese Musical Theater Singing,Taking Pieces of the Concert as the Case,MaZuoJun/Shanghai Conservatory of Music,0/68
  22. The Character of Giulietta in Bellini’s Opera of I Capuletti Ed I Montecchi,JiangZuo/Shanghai Conservatory of Music,0/58
  23. Musical and Human Interaction in Jinkun Puppet Troupe from Suichang:a Performative View,LiYa/Shanghai Conservatory of Music,1/62
  24. On the Characterization of the Heroine in Musical Theater Aida,ZhouMinXia/Shanghai Conservatory of Music,0/83
  25. On Onera ’Werther’ by Massenet,DuJinZe/Shanghai Conservatory of Music,0/86
  26. Imaging of Santuzza in Cavalleria Rustican by Pietro Mascagni,FanSiZuo/Shanghai Conservatory of Music,0/75
  27. A Study of the Secret Garden,TaoRan/Shanghai Conservatory of Music,0/82
  28. How to Utilize One’s Voice to Create Characters,LiQi/Shanghai Conservatory of Music,0/90
  29. The Image-shaping of Rusalka in the Opera Rusalka by Antonin Dvorak,ZhengZuoQiong/Shanghai Conservatory of Music,0/83
  30. The Comparison of Curriculm of Musical Theatre Study at University,MaJie/Shanghai Conservatory of Music,0/135
  31. Musical Structure and Style of the Night of the Banquet,WangYiBo/Shanghai Conservatory of Music,0/137
  32. Inspiration and Experience of the Practice of Meipai Art in Beijing Opera,ZhangJing/Shanghai Conservatory of Music,0/167
  33. The History and Change of Pingtan School----the Narrative of ’School Mechanism’ in Shanghai,ZhangYanLi/Shanghai Conservatory of Music,0/164
  34. Analysis on Characterization and Music of Despina in the Opera ’Cosi Fan Tutte’,LiuAnNa/Shanghai Conservatory of Music,1/122
  35. The Musical Image Shape of Soprano in the Mozart’s Oprea "Don Giovanni",XuXin/Shanghai Conservatory of Music,1/219
  36. A Musical Actor Should Improve Ability of Adapt to the Role of Market Demand,FuXiang/Shanghai Conservatory of Music,0/1
  37. The Brand Scheme and Marketing of Shanghai Lyceum Theatre,HuangXin/Shanghai Conservatory of Music,0/236
  38. Verdi Oper<Falstaff> MR,Ford Aria Appreciation,LuoYin/Shanghai Conservatory of Music,0/3
  39. Analysis on Creation and Performance of the Aria of "No Tears, No Sadness",YangJing/Shanghai Conservatory of Music,0/2
  40. Johnson Characters Analysis in the Opera 《the Girl of the Golden West》,HeJianWen/Shanghai Conservatory of Music,0/1
  41. The Research of Voice Creation in Musical 《Nieer》,TuRan/Shanghai Conservatory of Music,0/1
  42. The Musical Image of Semele in the Oratorio Semele by G.F.Handel,ZhangZuo/Shanghai Conservatory of Music,0/2
  43. Mozart’s Opera "Cosi Fan Tutte"Middle Ages Column Mo Image Analysis and Interpretation of the Role,TianYuan/Shanghai Conservatory of Music,0/2
  44. Music’s Dramatic Functions in Musicals and Their Manifestation in Man in a Box,QiuXiaoLiu/Shanghai Conservatory of Music,0/3
  45. The Speech of a Role Does Have an Effect on Singing in a Musical,DangZuoZuo/Shanghai Conservatory of Music,0/2
  46. Imaging of Anna in LE VILLI by Puccini,YangShangZuo/Shanghai Conservatory of Music,0/1
  47. An Analysis of the First Classic Opera Buffa--Pergolesi’s La Serva Padrona,LiLiPing/Shanghai Conservatory of Music,0/5
  48. Study of Shaoxing Opera Music"the Red Chamber Dream",TianDaoShiZuoZi/Shanghai Conservatory of Music,0/4
  49. "Yan Yan Matchmaking" and the Connections between the Chinese Operas and Folk Songs,YuWeiJie/Shanghai Conservatory of Music,0/3
  50. Analysis of the Artistic Composition and the Singing Technique of Mozart’s Opera "Cosi Fan Tutte",ChenJingWei/Shanghai Conservatory of Music,0/1

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