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A Thesis on the 30’s Chinese Movie Narration

Author: ZhouLiQin
Tutor: WuJianBo
School: Central China Normal University
Course: Contemporary Chinese Literature
Keywords: The s movie
CLC: J905
Type: Master's thesis
Year: 2007
Downloads: 338
Quote: 2
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Abstract


This article from the s on the whole movie narrative features of, combined with some outstanding film to carry on the thorough analysis. The author thinks that, in literary narrative point of view, 30 s movies have three episodic structure, order sexual narrative, the story on the construction of documentary melting characteristics of man; In montage narrative point of view, but also has lens rhythm balance, frequent use Italian indicative interleave etc. The formation of these features from s to "concept" inheritance, at the same time also to forty, fifty, s films produced not neglect the effect of contrast in the 80 s after the movie, we will find two completely different movie narrative view. This period of film narrative form, has its specific historical origin. Including China since ancient times literary narrative poems traditional SAO freehand brushwork in traditional Chinese painting tradition, the western movie creation and the Soviet union film theory, and the same period local popular literature. In the current film narrative more and more controversial cases, the author hope that through the history of the past, the history of the excellent films, careful analysis to contemporary Chinese filmmakers offer certain inspiration, to the Chinese movie's narrative research contribute a little poor power.

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CLC: > Art > Movies, TV Arts > Film,television, art theory > Television and movies, reviews, appreciate
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