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Ideological Change in the Perception of Painting

Author: OuYangJingChun
Tutor: ZhangZiZuo
School: Harbin Normal University
Course: Fine Arts
Keywords: painting ideological change feeling
CLC: J212
Type: Master's thesis
Year: 2013
Downloads: 0
Quote: 0
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Abstract


Chinese painting art has a strong cultural and historical background, the modern painting art isin after reforming and opening in China gradually formed and evolved, with Chinese features.Chinese paintings join Chinese tradition unique to some cultural symbols, folk style is very strong.The rapid development in science and technology today, the painting has been faced with the trendof diversification, facing the emerging art means, process development; and, drawing time difference,also make these works of art has more time representation. Therefore, this paper to painting in theideological change perception problem, from the history of painting, the time axis, current status,future prospects of angle, twentieth Century Chinese painting course, and points out that thecontemporary painting thought transformation, derived from his own feelings and opinions, in orderto Chinese painting the future development laid the theoretical foundation for.The content of this paper mainly includes four parts, the first part is an introduction, elaboratesthe topic academic value and research purposes, the research history and the research contents andmethods; the second part is the Chinese painting history review since twentieth Century, through theanalysis of Chinese painting history since twentieth Century, especially painting the present situationof the development of reform and opening up, elaborated on China modern painting political,economic, cultural influences, and then analyzes the contemporary painter painting thought change;the third part is the contemporary painting thought change comprehend, mainly using their paintingcreation ideological sentiment as well as the50and two generation after the80painting creationthought feeling for contrast, expounds the transformation of the idea of painting and the sentiment;fourth part of the Chinese contemporary painting thought transformation prospect into consideration,the author thinks to adhere to the painting language of open, to go painting " modernization " road,in addition to the tolerance towards the development of Chinese painting; the last is the conclusionof the thesis.

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CLC: > Art > Painting > Painting techniques > Chinese painting techniques
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