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Study on the Application of National Graphic in Modern Visual Design

Author: Zheng
Tutor: ShiQiXin
School: Anhui University of Engineering
Course: Art of Design
Keywords: Nationalization graphics Visual Design Modern graphics Globalization Diversified
CLC: J524
Type: Master's thesis
Year: 2011
Downloads: 51
Quote: 0
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Abstract

Graphic term \The modern graphics germination at the beginning of the last century, began to flourish after the end of World War II, to enter China, but also the most recent decades. Graphics that diagram form, and is different from the visual form of the text. Graphics and text with a human tool to disseminate information graphics than text to convey information easier and quicker exchange of information, it can be carried out under the limited circumstances in the country, nation. In the modern sense refers to a visual form of graphics, sets the culture, shape, and even the form of consciousness as one expression of the modern aesthetic and life. The graphics are an international language is a visual language, visual thinking ingredients, it goes beyond the text, and ultimately restore psychological. Enter since modern graphics since China's reform and opening up, the whole body is full of a wave of \The design both economic support, and is a reflection of the culture. Modern graphics in order to be able to integrate and China, must be marked with the imprint of Chinese culture. Moreover, this traditional graphics to China, the Chinese people will be thinking with their own culture and Implications to interpret. China is a country of 5,000 years of civilization, western graphics can not reverse the Chinese cultural tradition. Often in the meaning will be misinterpreted, originally referred to the direction of the intended change occurs. Mining finishing nationalization graphics, and applied research is even more important. China nationalization graphic contains the history of the Chinese nation, and contains a religion, philosophy, aesthetics, literature, customs, etiquette, and many other factors. Unique Chinese charm after a long time of baptism, the pattern is still showing a strong vitality. You can see that the its full cultural values. The famous designer Kan Tai-keung, also said: \Coupled with the recent years many successful and influential designs and designers are different degrees of use to traditional graphics, some of the conditions for the nationalization graphics in modern visual design. This article is based on the nationalization graphic study mainly reflected in the following aspects: First, to study the development of modern visual design and their meanings; re-analysis of the scope of China nationalization graphics using inheritance law, recycling law, drawing method and other means, on the basis of the international graphic to explore the penetration and transformation of China nationalization graphics in modern visual design; their attempts to varying degrees, so that both the connotation of China, but also the international style. Finally consolidated their relationships, analysis of their future development trends and the impact of Chinese style elements with Western constitute a form of compatible, presenting visual novelty and impact. Make some contribution for exploring design nationalization road. The nation is the world, all the modernization and internationalization of traditional culture as a basic. Nationalization graphics in modern visual design, not only for the development of modern visual design graced splendor, but also make the colorful world of modern visual design!

Study on the Application of National Graphic in Modern Visual Design

Abstract

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