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Research of Philosophical Thought in University Students’ Oil Painting Creation Since the Reform and Opening-up Policy

Author: WangCuiHua
Tutor: LiuWenBin
School: Guangxi Normal University
Course: Fine Arts
Keywords: University student Oil painting Philosophical thinking
CLC: J213
Type: Master's thesis
Year: 2010
Downloads: 122
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Abstract

Western oil painting was introduced to China more than a hundred years of history, Chinese institutions of higher learning set up in the 20th century oil painting course and nearly a hundred years of history. The latter half of the 20th century, especially since the reform and opening up in China, the development of the institutions of higher learning in oil painting basically universal. Oil paintings art college students in the course of development of the new China, a reflection of the change and development of the political and social environment. Some artists active in the contemporary art world, and get the attention achievements are the reform and opening up since the art academies culture artistic talent. Their college students during the exploration of oil paintings done deeply affect their later artistic creation, and the development of Chinese contemporary oil painting beautiful landscape. Their oil paintings connotations inherent in the different periods, in fact precisely reflect the philosophical thinking of the students of that period in the characterization of the screen. Demonstrate the value of oil paintings at different stages tend to reflect a deep-seated change and the pursuit of new China national revival of the masses in the ideological field. Humanistic values ??embodied therein, humane care has been affecting the development of oil painting in China now. The purpose of this study is to clarify the context of the oil paintings of college students since the reform and opening up philosophical thinking changes. Impact of changes in the value of oil paintings factors resolved from the perspective of sociology and the humanities, philosophy and cultural studies, has a certain practical significance for the further prosperity of the Chinese Students and artistic creation. Oil paintings of college students to do some additional reference, philosophical thinking of the oil paintings of college students study theory. Since the reform and opening up in 1977, across the country, art institutions began to recover recruit college students, college students enrolled in this period, no matter the age or cultural structure there are differences. Are, with the indelible memory of a \They are trying to regain artist lost the reality of the true feelings through the screen. Therefore, they are at the university during the creation of a number of oil paintings with a thick humanities plot. Accompanied the invasion of the reform and opening up and Western philosophy and the arts and culture, has gone through the test of the \College students, compared with the previous generation of educated youth college students before and after 85 Fine Arts, no heavy mental burden, their desire for new forms and ideas of modern Western art, which makes the \Their graduation work of art teaching some tentative reforms, which laid the foundation for the multiple of oil paintings language and form. After that, until the 1990s, painting and artistic creation appeared manifestations of conceptual, symbolic, performance and sense of apathy, the oil paintings of Chinese college students is no longer realistic painting and Thematic paintings dominate the world. Continuous restructuring of the market economy and the Chinese education system, universities, private universities have been established for the fine arts faculty, fine arts become a new growth point of China Universities, their style of oil painting tendency to reflect the status of the development of the teaching of Chinese institutions of higher learning painting college students in the 1990s style oil paintings tend to become the main The Chinese Higher Art Teaching severely technique light theory to light techniques the heavy theoretical direction of development, the pursuit of oil paintings emotion become. Concepts at the same time become the object of touting the impact of academic painting realistic painting, oil paintings of various styles of college students, but convergence in the art style, embodies the basic characteristics of the times. 21st century information developed and to smooth network era, college students enjoying stability fathers created a comfortable living and learning environment, they think about personal development, concerned about self-worth. Consumer market economy, money values, in varying degrees, affect their values. The era of this, as time is money and also let them feel nameless pressures. Although they live in the university campus, but all the changes in the external environment, but at all times in influence them in the performance of oil paintings. They encounter frustrations, emotional life, unfolding in their oil paintings of various styles, creative approach is even more diverse. But in the face of a rapidly changing society, they are confused, the contemporary art of modern society to bring them prosperity. This allows them to during the time of the oil paintings appear dilemma of choice: First, as the college students of the art professional institutions in the national education mode, they must follow the law and mode of schooling to complete the learning task. When they are faced with the temptation of Contemporary Art, their own but often can not control their own creative thinking. During a time of creative success and failure of the test. The relationship between them to a more rational understanding of school education and the spirit of the times, to sort out the complex philosophical relationship of traditional and contemporary, emotional concept, also need to go through a further distillation of the long-term artistic practice and theory.

Research of Philosophical Thought in University Students’ Oil Painting Creation Since the Reform and Opening-up Policy

Abstract

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