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Research on Ethical Graphic Application in Illustration Creation

Author: FengJianYing
Tutor: LiMingWei
School: Guangxi Normal University
Course: Fine Arts
Keywords: National Pattern Illustration Illustration creation Use
CLC: J218.5
Type: Master's thesis
Year: 2010
Downloads: 333
Quote: 1
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Abstract


With the constant exchange and mutual influence of the world culture and art, China is also in the national culture to learn from foreign cultures, both merging transition period. The countries of the world, the unique cultural traditions of various ethnic contemporary artists who have been given a new understanding and use. How to learn from the rich local characteristics of the National Graphical culture, and develop it so that it applied to the creation of modern illustration art is a very cosmopolitan sense issue. Illustration art of a very long history, there have been a lot of different styles and forms of illustrations community years, and as a fashion career gradually, quietly flourished. Some local style illustrator works of art also appeared on the market, and many illustrators have also done a lot of creative design practice, some of its works of art works to the nation graphics or illustrations containing local elements of style. The relevant theory discusses is still not yet reached the systematic need to conscientiously sum up so that it can rise to the height of the theory. The National Pattern the extensive graphic symbols, is the most representative of the performance of the traditional cultural significance graphics. It comes from reality but not limited to reality through the evolution and transformation of ethnic graphics generated graphics with national characteristics, illustrator creative works of art in different forms, create local features illustration art works. In addition, the illustrator works of art is to have a certain cultural connotations, to create a deeper connotation illustrations full of local characteristics, and through different manifestations reflected, also reproduced the ethnic culture of grandeur. Ethnic graphic illustration creative arts can be integrated and interlinked, the use of ethnic graphic illustration creation is a very important illustration art creative direction, the wide variety of Chinese national Graphics, you can discover the many cultural resources treasures, such as the national characteristics the art of porcelain above graphic decoration, clothing and fabric on the auspicious graphics and architectural graphics and so on. These graphics can be broken, reconstruction, conversion to the formation of new graphics and reintegration illustrator creation. Currently on the market illustration creation masters in a variety of styles and techniques different illustrator of artistic creation, the nation graphical elements as some illustration art creation, aptly use to create a local illustrator The work of art is very feasible, and therefore further enrich the connotation of illustration art works in diverse themes illustrator graphic manifestation of a variety of ethnic and artistic creation is well worth the direction advocated by. In this thesis, by induction, compare, for example, and other research methods to expand the discussion of this subject. Structure based on logical relations sequential start first discusses the use of the significance of the ethnic graphic illustration creation, then the nation graphical illustration creation use to learn the key aspects of the national graphic analysis to grasp from the direction of the large study in use national graphics illustration creation of indigenous methods means. Focus largely symbolic graphic, abstract graphics graphics, Chinese characters and Chinese painting containing shaped discussed in four major aspects of national graphics can learn. In addition, the morphological evolution of national graphics can use recycled imagine the second abstract, observed with the principle of association, such as modeling the evolution of reconstruction can also use the decomposition conversion, beaten replacement constitutes the basic shape variation constitutes interpretation nation graphics change, and then applied according to the needs of different illustrator theme illustrator creation of works of art. However, the results of these changes ultimately can not afford to lose the original identification of the ethnic graphics, unique characteristics and connotations. Again focus on theory with examples used in the nation graphics illustrator creative processes and methods are discussed in detail. The way creative method, first a specific analysis of the evolution of the national graphic nation graphical decomposition, scattered constitute evolved into a variety of new graphics, illustrator creative in the use of the national graphic elements to create a premise. Next by rich case fully use national graphics. Direct use, simple to complicated combination of Chinese and Western, and so the use of techniques, allowing the reader to a more intuitive understanding master nation graphics used in the method of illustration creation. In short, the paper by the use of national importance of the graphic illustration creation, ethnic graphics draw focus on the creative process and the creative method discussed specific strong to make a strong argument ethnic graphics illustrator creation \And, more to the theme of this paper discusses practical significance interspersed with a lot of illustrations case, at the same time in the paper, and analysis and profiling expand, so that the viewer can more clearly understand and master the theory of this paper to explain . Innovative point of the paper is: two ethnic graphics and illustration creation has been more mature, but the mutual integration of both exploration and research is also very poor, but also did not rise to the height of the theory, and therefore the argument belong to new areas of the field.

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