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Research on Yuan Dyrasty Painter-Gao Kegong

Author: WangJing
Tutor: LiXiaoZuo
School: Shanxi Normal University
Course: Fine Arts
Keywords: High克恭 Michaelis Yunshan Mogu Retro Landscape painting
CLC: J209.2
Type: Master's thesis
Year: 2009
Downloads: 46
Quote: 1
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Abstract

Yuan Dynasty landscape painting to the most popular, their creative thinking, artistic pursuit, style landscape painting reflect the main tendencies, and most far-reaching impact on future generations. Gao Ke Gong Song Dynasty painting style is an important figure in transition period, the history of his painting is a very noteworthy painter. He specializes in painting diligent, creative, fruitful, a great impact on future generations. Yuan Zhang Yu Zhao Meng par with him, praised as \high Kegong family background and their living parallel shape of his life, family, politics, personality preferences and social status for analysis and understanding. The second part is a high Kegong painting school origins and gambling house, this part of the main ideas from his paintings and artistic style, focusing on high-Kegong inheritance Michaelis Yunshan painting discussion, research and analysis, and as much as possible collection of his works, handed down from the appreciation of their work in a deeper understanding of his landscape paintings, Yunshan compete, artistically leisurely, has a distinctive artistic appearance, which attracted many artists, making follow high Kegong method of painting has become common practice. In the Ming and Qing Dynasties, antique atmosphere is particularly shengxing, Dong Qichang s South raised, Dong Ju, Mi Fu have become literati painters strive Mogu objects, each artist by virtue of their high Kegong understanding to emulate him. In this way, imitating the high Kegong Ming will become the history of painting a phenomenon can not be ignored, and the high Kegong the painting position also will be changed, which is the development of the Yuan Dynasty landscape painting played an important role. The third part is a treasured works for high Kegong to step closer analysis of high Kegong painting style, Part IV concludes the paper, the evaluation of high Kegong history of the development of Chinese painting in the status, role and contribution. The fifth part is the history of painting elaborate evaluation for high Kegong for high Kegong for a re-positioning. This option to the Yuan Dynasty painter Gao Ke Gong-related content as the research object, and in the works of high Kegong's position as a painting subject by image analysis, research and organize to explain some of the content and regularity theory. Because of their ability to limited conditions, combined with overseas research situation poorly understood, it is inevitable that omissions inappropriate, hope to enlighten.

Research on Yuan Dyrasty Painter-Gao Kegong

Abstract

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