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Tibetan the Batang XianZi Art Feature Analysis

Author: GuoZuoZuo
Tutor: JiaYongQunPei
School: Central University for Nationalities
Course: Musicology
Keywords: Harmonious Batang harp Artistic features Cultural industries Function
CLC: J607
Type: Master's thesis
Year: 2010
Downloads: 105
Quote: 0
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Abstract


\Horn HU its major musical accompaniment., The Chinese called \During festive holiday season to shuttle guests or family and friends get together, people we brought together a pull up sounding horns Hu jump of joy XianZi. Which Batang region XianZi with its light dance, beautiful melodies and rich township rhyme in the entire Tibetan reputation. Batang is rivers, one of the cradles of civilization, culture is an important transportation hub since the Tang Dynasty and the Sino-Tibetan two major interchanges. Special geographical and cultural environments, and carries out a unique song and dance - harp. Harp dance Kamba culture is a manifestation of the Kham Tibetan aesthetic, it exudes a strong local flavor and charm. Of the Batang region XianZi dance learning research is based on a specific cultural background, using the method of ethnomusicology and the combination of folklore and ethnology research methods, and then the harp song and dance presented cultural phenomenon and cultural acts research and thinking. Introduction: mainly on the subject of this research purpose, research significance, research status and research methods. Chapter Overview: cultural background of the Batang XianZi history to. Ethnomusicology to study not only the music itself, but also pay attention to geography, cultural and general cultural background investigation. In this paper, the two parts combined, to outline the Batang XianZi cultural background investigation through literature research and field work. Chapter II: the context of the formation and development of the arts on the harp to comb. Access to a large number of historical documents on the one hand; the other hand, field studies and collecting folk perspective and of old artist interviews, make a turn on the dance of the origin and development context of harp comb. Chapter: the Batang XianZi art form of analysis. From the discussion and interpretation of the form of performing arts, music features, musical accompaniment, lyrics, dance styles. Chapter IV: From the cultural point of view to study the Batang XianZi. Harp as a song and dance and national culture, contains and carries the joys and sorrows and joys and sorrows of the working people. With the social development and the progress of time, under the policy guidance of the local government, the Batang XianZi deep meaning as a cultural symbol and cultural industries are increasingly prominent. Chapter V: The paper in this chapter on the Batang XianZi social function as well as aesthetic aspects interpretation involves some new social features of traditional social function basis. With the masses aesthetic raising the level of changes and aesthetic, Batang XianZi, also in their own unique way place changing and developing, demonstrating new trends. New social and historical environment the Batang XianZi will be more artistic charm, in the arena of the Chinese national art increasingly bright!

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CLC: > Art > Music > Music Theory > Folk music research
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