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The Late Ming and Chen Hongshou Portrait Style of the Social and Cultural Formation of

Author: ZhangXi
Tutor: LiuYongJie
School: Xi'an Academy of Fine Arts
Course: Fine Arts
Keywords: Late Ming Dynasty Social Culture Chen Hongshou Portrait style
CLC: J209.2
Type: Master's thesis
Year: 2010
Downloads: 185
Quote: 1
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Abstract


After experiencing the ancient Chinese Wei and Jin Dynasties portrait of embryonic period, the peak of the Tang and Song period, during the Yuan Dynasty landscape painting and the flower gradually been replaced, especially in the late Ming and early Qing period of this social complex, the characters the development of painting is almost stagnant, it has lost its former flourishing scene. Although there have been some characters painters, such as Tang Yin, Qiu Ying and so on, but their portrait not only failed to break through and it can not be compared with the previous generation. However, in the late Ming, a political corruption, thought changing circumstances, hastened the development of a group of characters unique style and personality of the painter, while Chen Hongshou is one of the most representative one.After experiencing the ancient Chinese Wei and Jin Dynasties portrait of embryonic period, the peak of the Tang and Song period, during the Yuan Dynasty landscape painting and the flower gradually been replaced, especially in the late Ming and early Qing period of this social complex, the characters the development of painting is almost stagnant, it has lost its former flourishing scene. Although there have been some characters painters, such as Tang Yin, Qiu Ying and so on, but their portrait not only failed to break through and it can not be compared with the previous generation. However, in the late Ming, a political corruption, thought changing circumstances, hastened the development of a group of characters unique style and personality of the painter, while Chen Hongshou is one of the most representative one. His portrait of the strength of character with its maverick figure in the late Ming and early Qing painting, and his portrait can be learned in the combined long and stand out from the shadow of his predecessor to create an individual style, making the characters were dispirited there has been new emphasis on painting and re-established a new aesthetic form and aesthetic experience, far-reaching. However, Chen Hongshou the formation of personal style is no accident, is caused by various factors, not only on his personality, more importantly, with the then social background and cultural connotations have a deeper relationship. In the late Ming, as a free thinking shadow。

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CLC: > Art > Painting > Painting theory. > History of the art of painting
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