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On the wind and rain imagery in Tang Dynasty

Author: HuangTianTian
Tutor: WangYong
School: Shandong Normal University
Course: Ancient Chinese Literature
Keywords: Tang Dynasty The storm imagery Emotional connotation The characteristics of the times
CLC: I207.22
Type: Master's thesis
Year: 2011
Downloads: 229
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Abstract


Literature and art is beyond time and space, it is a manifestation of human emotions in a particular environment, but also the human mentality and the National Cultural Psychology witness. The storm imagery in \Natural and man are inseparable, wind and rain as a natural phenomenon, different era poet a conscious choice to processing, and sent to the poet's emotion and will. The cold wind and rain, the mist, bleak, everything Homelessness and other features can touch the sensitive poet, triggering their life is short, and the future is frustrated, outlier lost even the emotion, the poet's emotional experience also will penetrate into the storm imagery . The development of wind and rain from the purely natural phenomena literati mood of a symbol, and the poet establish a a stable emotional corresponding mode, is only be determined in the Tang Dynasty. This paper accumulated rich emotional connotation of the Tang Dynasty in the wind and rain imagery and the unique spirit of the times as the focus of the discussion. Text by the introduction, is the theory, the conclusion of three parts. Introduction section introduces the research status of the writing of this article the origin and the wind and rain imagery. Being on the main, consists of four chapters. The first chapter introduces the meaning of Images in Chinese Ancient Literature, Contact with distinction on the basis of analysis of imagery and mood, the implied sexual imagery, metaphor and poetry than Hing traditional relational. Clear concept of imagery, further explains the myth behind the storm imagery generated at the beginning of factors. Images of Wind and Rain uniqueness lies in its the integral close relationship with the agricultural production, as well as the potential impact on the formation of the National Cultural Psychology and national character. The second chapter analyzes the emotional connotations of the imagery of the wind and rain. Joy and sorrow are in accordance with the emotion carried by the wind and rain imagery, the storm imagery can be divided into two types of leisure class, and sadness. The storm's core implication that the sense of urgency and their fighting spirit, both bear with human emotions, different emotions reflect the typical image with its own core implication of the wind and rain imagery. This typicality been fully reflected in the Tang Dynasty, a poet rich emotional experience and artistic techniques typical of wind and rain Imagery is not rigidly stick to the program, and type cast the poet's personality factors, but also reflects the common characteristics of the collective. Relations with other imagery, Chapter III study analysis of the storm imagery focuses on the wind and rain Petals, wind and rain the night and the storm dream emotion of of three weatherproof imagery group connotation. Petals, night and dream imagery in the Tang Dynasty full chant, express emotion quite different emotional connotation and association point also representative. Performance by the storm imagery with a combination of three image emotional sustenance different emphases, but each realm are two images of functional integration and derivative context. The fourth chapter first discusses the contact of the environment special era of the Tang Dynasty poetry and politics, the storm imagery become externalization of symbols, Poetry and politics close contact with the poet heart poetry with the poet's life experiences are closely related. Then discusses the emotional connotation of the wind and rain Imagery changes in the development of the different periods of the Tang Dynasty. Choice of imagery at different times, poets have their differences. The face of the same image, different poets also showing different characteristics. The poet's personality and common times to achieve the perfect fusion. The epilogue summed the storm imagery on the emotional and artistic achievements of the Tang Dynasty.

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