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From "Yang Painted Cornices" Traditional Chinese Painting "Sanyuan" Method
Author: WangTong
Tutor: ZhuXingHua
School: Hebei Normal
Course: Fine Arts
Keywords: Spatial processing Three distances To Daguan small
CLC: J205
Type: Master's thesis
Year: 2011
Downloads: 42
Quote: 0
Read: Download Dissertation
Abstract
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The painting must first solve the modeling problem, painter of all ideas are to rely on the image on the screen above and passed through these images, express emotional. In shape, the painter to control the screen, you will inevitably encounter the problem of space shape, presents three-dimensional visual effects in the two-dimensional plane? Western painting through the use of the rules of the scientific perspective, making it a true representation of the The objective images space complete visual communication. Traditional Chinese painting is the great artistic achievements of the Chinese nation has a history of civilization for thousands of years, Chinese people's political, economic, culture, philosophy, geography, science and technology, and the Chinese people's wisdom and intelligence co-bred art form, it is on its own The timeless charm standing proudly on the world art world! It is the same with a mature and effective, and in accordance with the law of the national aesthetic needs shaping space --- \\This article will discuss in the following three aspects \1 three discusses lofty level far, far-reaching objective images feel painter, painter Performance hearts images, viewers feel the artistic image visual rule of three space link analysis showed a different state, get the \understanding, and thus leads to the traditional Chinese painting natural to Daguan small contemplation of. Fuguan \- the theory. History of Chinese painting mainly landscapes, almost can be said to be the history of the development of landscape painting, master painter Tang after all always focussed on the Landscape, landscape painting theory voluminous, both from the viewfinder layout, composition methodicalness or with pen with ink, about the head, the slightest bad mood. For premature mature figure paintings, was barely touched. As everyone knows, Guo Xi \In this paper, this proposed of Pingyuan law in the sense of distinction and elaborate on the observation of portraits and landscapes.
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