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Contemporary philosophy of Chinese folk art expression

Author: WangXinFeng
Tutor: ZhangZuo
School: Qufu Normal University
Course: Art
Keywords: Folk art Lu Sheng Chinese elements Chinese Conceptual Art Future trends
CLC: J0
Type: Master's thesis
Year: 2011
Downloads: 106
Quote: 0
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Abstract


The expression for the folk art of contemporary philosophy has been the main theme of the development of modern art in the modernist art movement in the form of creation and artistic concepts are a new creation and exploration. With Lo Shen Bert traveling exhibition of conceptual art was introduced to China, the Chinese avant-garde artists have borrowed the concept of the Western concept of art creation, Nationalization of conceptual art has become one of the important feature of modern Chinese art. In this paper, the performance of the \With the social and ideological changes, the performance practices of the art, endure learning the Soviet Union, the old mode, hoping to absorb some of the fresh approach from Western, Chinese artists have to learn from the Western concept art, and \The author Lu Sheng-art practice as the starting point. Lu wins in a long-term study of traditional art and folk art, and accumulated a wealth of theoretical and practical experience. Lu wins with the traditional spirit of the national culture to nourish their own inspiration, to achieve their own artistic pursuit, he borrowed folk paper-cut Chinese folk elements as an artistic medium, in this era of change, the basic language of traditional Chinese art forms to convey modern artistic concepts, is one of the important feature of modern Chinese art. Modern Art, to some extent, in fact, with the traditional art are mutually symbiotic any tradition and modernity are relative concepts. Lu Sheng-art practice case analysis, the development of Chinese conceptual art in the New typicality significance and academic value. The text of this paper is divided into three parts: the first part of the formation of conceptual art and its development in China, the first starting from the origin and development of the Western concept of art understanding of conceptual art, and then describes the development of conceptual art into China as well as experience in China several important stages, as well as awareness of cultural patterns of conceptual art into China's social transition and its contemporary manifestations; second part of \the full text of the focus from Lu wins in the postgraduate level three under the Shaanxi countryside folk songs to draw art nutrients to several large paper-cut Evocation exhibition and representative symbol \explore contemporary art foothold of Western integration. The third part of the \quality and pioneering spirit as well as his development of the Chinese Conceptual Art to make the contribution, we should give fully affirmed and desire Lu wins in the creative practice anchored, with the contemporary art of the development of the trend for the perspective, re-examine the Chinese concept art of the development of the course, future trends, diversity of artistic creation and continuous exploration and innovation in the process of integration of Chinese and Western.

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CLC: > Art > Theory of art
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