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The Research on the Fabrication Process Towards Mongolian Hur

Author: YunDan
Tutor: SongBoEr
School: Inner Mongolia Normal
Course: Musicology
Keywords: Mongolia Hu Historical evolution Production process
CLC: J632.23
Type: Master's thesis
Year: 2011
Downloads: 18
Quote: 0
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Abstract


The thesis for the study of the production process of the Mongolian traditional musical instruments, Hu, Mongolia Hu shapes the historical evolution and characteristics, as well as the types of modern Mongolia Hu, acoustics, structural characteristics, the development of four Hu and other aspects discussed. Produced four Hu, the actual survey visited folk artists to obtain information, and strive to the angle reference instrument science, history, ethnology and music aesthetics multidisciplinary, drawing on existing research to explore the musical instrument production process of succession and development of musical instruments role. This article is composed of three parts by the introduction, four chapters and epilogue. First introductory section describes the importance and purpose of the topic, carding status of related content, as well as information sources, the results innovation. By Mongolia Hu shape the evolution and status of modern Mongolia Hu craftsmanship reform study the inheritance and development of Mongolia Hu future. The first chapter deals with the historical evolution of Mongolia Hu shape analysis of the characteristics of its evolution in different periods. Inner Mongolia Horqin Region in eastern, central and western Ordos region as well as of Heilongjiang Guo'erluosi Duerbote two Mongolian Autonomous County goal to explore Mongolia Hu stream cloth. Outlined in Chapter Mongolia Hu bass, midrange and treble three different kinds of acoustic principles and construction features. Third chapter describes this stage Mongolia Hu three types of different production specifications, analysis of material Mongolia Hu sound quality, summed Mongolia the Hu's production requirements. Chapter exploratory discussion of the future development of Mongolia Hu. The final conclusion is the full text of the summary described. This article seeks to explore the laws of this nation's traditional musical instrument development through the perspective of the production process in Mongolia Hu put forward for the further development of Mongolia Hu Ichizon, at the same time broaden and enrich areas of Mongolia Hu and content. Investigation and analysis, the Mongolian four Hu production process from the process of the evolution of the history of the instrument, we can understand the course of the nation's own development, and cultural life, and a sense of national aesthetic. Mongolia Hu as the most characteristic of Mongolian traditional musical instrument, a detailed discussion of Mongolia Hu production materials, construction specifications and pronunciation features, while retaining the instrument its own characteristics, Hu for Mongolia in instrument performance further improve and development and innovation of the instrument to provide constructive reference.

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CLC: > Art > Music > Ethnic instrumental music theory and playing method > Music From China > The bowstring music theory and playing method > Four HU
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