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The three Karma Tong mussels Buchan Bon paleography studies

Author: JiMaoCuo
Tutor: CaiWangLaMu
School: Central University for Nationalities
Course: Tibetology
Keywords: Karma pond mussels Baqi Ta Bon literature That if Solution foul division Deer God
CLC: K877.9
Type: Master's thesis
Year: 2011
Downloads: 43
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Abstract

Found from Tazang the summer, Shannan Prefecture of Tibet in 2006 when Xu Zhenxin to teach the masses collapse in the maintenance the Karma Pool mussels Baqi Ta comai County, a large number of Tibetan Fragmentary This is the second Dunhuang in 1900 a large number of Tibetan literature native found in Tibet Tibetan literature for the first time, this major discovery has aroused great concern of Tibetology at home and abroad. A large number of Tibetan Fragments of three books and a Bon Bon rituals medical works. In this paper, interpretation, analysis, research the Bon rites of three Fragmentary discussed the external characteristics of the literature, the main content, religious vocabulary, grammar features, and Bon religion, as embodied in the literature and its cultural value, and finally instruments vocabulary, grammar features and content aspects initially concluded that the period of three instruments into a book. In this paper, two: first, Chapter 2. Chapter 1 introduces the basic situation of the three documents, namely the Karma Pool mussels the Ba Qita the location, shape, pyramid, construction era and Fragments of paper, ink, calligraphy characteristics of the external characteristics of, and in accordance with Fragmentary original corrected \Chapter 2, interpretation, analysis of the contents of the three documents, this part of the paper introduces the content and embodied in the literature. Fragments of a mainly tells the story of five tells the the ritual story (?) Reas or Sprang), the ritual story plays an important role in the religious life of the Tibetan people. Bon examination paper describes a major story involved some kind of ritual often want to insert a precedent for this ritual, in Bon literature is referred to as CHO-Raes of the RAES (ritual story) or Sprang ( rituals tell). Fragments of the five rituals story are: 1. (?) (Gnag Reas) and four by Spartak Bon content. Take the enemy on a limb in the body or an article curse each other, trying to attack or defeat the other side of a voodoo ceremony. The volume describe in detail the process of how to do this witchcraft ceremony, function and its result. \Focuses on how to deal with the \(?) (Eyol Reas) (?) (Eyol) and (?) (LTOs Ngan), (?) (EGuG) story. (?) (LTOs Ngan) and how to deal with (?) (LTOs Ngan) story. \is deeply rooted in traditional Tibetan culture is an important part of traditional Tibetan culture. The Fragmentary 2 is a story a solution foul. First mentioned the case of a pregnant woman; middle of a devil attached to the woman who tells the story of the land, and thus, this woman was seriously disaster and bad luck; Finally, tells the story of good luck, Clear contagious invited foul benzene (GRI Eon) consecrated under the levy magic ritual process. Fragments of tells the story of the Deer God, the grace of God deer, deer to God and called it \Also mentioned in the literature different nicknames of the four rivers and ancient Tibetan how to observe the change of the Big Dipper to act in the situation. Second, a total of 3. Chapter 1, according to a comparative study of the relevant literature in the three Fragments of a recurring \ancient Tibetan traditional culture Spartak the Bon culture: other elected from the three Fragments of religious terms to reflect the thinking of the ancient Tibetan system and ethos, such as the sun, moon, stars, Chen, \culture, and yak, nine and 13, benzene and benzene wave, the shape of the universe sheep scapula (referred to as sheep shoulder blade-like) solution foul vocabulary, in-depth study, to explain these religious terms can refer to cultural connotation and far-reaching historical significance. Chapter 2 discusses the three Fragments of the syntax and features of calligraphy. : Fragmentary typical sentence compared with the Dunhuang Tibetan literature and analysis to explore the race, the Wei Sang \. Fragmentary under three white Migration characters and through several similar font literature contrast, described the characteristics of the three Fragments of calligraphy. Chapter 3 analyzes and discusses the three Fragments of discovery in order to understand and study the the Tubo period of cultural, political, economic, as well as the field of academic research literature value and practical significance. Finally, through analytical instruments vocabulary, grammar, sentence structure, content, period initially concluded that three Fragments of a book.

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