|
As a Chinese cultural awareness painting, far away in the primitive era of chaos and explore the mysteries of the universe ancient Chinese interest are closely linked. People want to get rid of the shackles of the universe and space, beyond time and space through the means of painting to express the universe. Specific to the Chinese bird composition cosmic consciousness of view, the composition of bird form is not based on a fixed space or time, but in a flexible way to break time and space constraints, without the aid of light and shadow rendering contrast, do not depict buildings with statues geometric perspective, not to committed visual effects to depict a fixed light source out of the physical world. Fruitful, Teenage rain and snow, through the ages can be presented in the same painting, flowers and trees, a leaf, a bird - animal painter heart, such as Yuen Kam, constructs a stretches without a break, cycle, virtual and real, life endless flow of time. Chinese painting dedicated to the viewer, not to meet the visual requirements of the moment, the scene is rendered freely imagined the way, is the artist's life, the universe full of contemplation. Therefore, this thesis through the bird composition embodied in the analysis of cosmic consciousness, not only allows us to enjoy the bird tricks in the universe contains a great charm, but also can get a glimpse of their cultural spirit and Evolution of imprinting, This obviously has a clear role for us. Chinese bird's composition and the Chinese people's understanding of the universe has a close temporal relationship with the Chinese people in the Spiritual Meaning of injected bird. It is the traditional Chinese philosophy, the artist's idea conception, the dialectical relationship between the composition, the composition in the form of modern style closely connected. The first chapter clarifies the composition of Chinese bird implicit in traditional Chinese culture and philosophy. Chinese painting system in its long history of development, deeply influenced by Confucianism, Taoism and Buddhism ideology, formed in the language of painting in Chinese people's interpretation of the universe and life, time and space of traditional Chinese philosophy is a kind of stretches without a break, again and again, there are No Aioi, incessantly time processes. The second chapter of the dialectical relationship between the composition and the analysis described cosmic consciousness. Chinese painting composition rule is based on the universe of yin and yang theory to grasp their law of motion. From the choice of cut, take potential-oriented, black or white when three aspects of bird tricks of composition, and the Chinese people's awareness and understanding of the universe and space and the Chinese people in the spirit of the injected bird emotional connotation. Chapter III spoke of the form and composition of cosmic consciousness, the first form of analysis of the composition of medium format and multi-point perspective and the development of scroll painting, Chinese painting exhibition retractor and put in the time and space significance. Second, the composition of Chinese painting and seal peculiar inscription form and shape of a circle space universe, embodied consciousness. Again analysis shows bird composition in the form of a small see big implied temporal consciousness. Chapter Western art influence and impact on the bird, the bird composition embodied in the exploration of cosmic consciousness. Chapter bird with the historical changes of the times, as reflected in the composition of the times.
|