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The gravel ground in the yuhuayuan of National Palace Museum evolves from the unique cultural environment of imperial palace, paving pattern have abundant cultural intension,and these cultural intension makes a start in people’s daily practical experience of life of production,it is a kind of unique folk culture symbol,reflect the emperor queens and princesses pursued the ideology of the lucky life of the happiness at that time.The symbol of culture shows in the gravel ground through certain construction skill,having strengthened the culture atmosphere in the yuhuayuan to a certain extent. Take the place of now,cover the ground view entrust to into wide,dark meaning, integration with culture such as the economy,society,politics make,cover the ground view demonstrate the characteristic completely different from classical garden,cover the ground material to be gradually top-grade luxurious,pave map case tend singly,meaning is fuzzy,the ones that become industrial products”Pile up the field”,Have neglected the due function of use,even become furnishing of the achievements,etc.Modern garden view cover the ground,should draw lessons from pattern of stone road design the tactics, thought and construction key element,go to solve the problem that some exist actually, to remedy the deficiency that the modern view cover the ground.At present though the monograph quantity about China’s landscape art is many, regard the overall arrangement of the garden,building model,etc.as the main research contents,and the monograph studied to the detail of classical garden is involved less.So, it is very essential for the culture to the detail of the garden to understand.One of the composition key elements of the view that this selected works find a view - -This special visual angle of covering the ground, as the research object, field investigation, has shot all photos of stone road in Imperial Garden of the Palace Museum, describe the stone to draw with cad, the channel of helping through ancient book, literature, Internet, scholar at the same time etc. collects the valuable materials, such many department’s theorieses as comprehensive cultural philosophy, Semiology, view are studied, sum up, probe into and comb the systematic classification about the pattern of the stone road of Imperial Garden of the Palace Museum in terms of culture and art. Imperial Garden of the Palace Museum”The stone is drawn”Culture and ideology the deep,art source the abundant, the highly skilled when making, carry on instance analysis to it separately, reduce its cultural intension, find the correct explanation answer, offer reference for understanding, drawing lessons from and passing the culture of the garden on, the ones that and went to scrutinize the stone road of Imperial Garden from a brand-new angle are efficacious and beautiful and exquisite, pursue the social cultural factor of facilitating this artistic masterpiece. Finally, this text consults garden sites such as the Summer Villa, Yuanmingyuan, Summer Palace,etc. and protects the measure that utilizes the project to be taken, some this kind of current situation already destroyed in stone road to Imperial Garden at the same time, put forward the suggestion protected to it. Design the secret like this in the stone road of Imperial Garden, it is a kind of inspiration that this is undoubtedly designed to covering the ground modernly and draw lessons from. Though the stone road covers the ground to the modern garden there is certain limitation at the time of the design, but we should pursue method and law that road surface design their, apply to cover the ground design modern garden to tactics and thinking these.
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