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The Relationship between Poetry and Painting and Mood Construction of Rong Zi’s Poetry

Author: PanQin
Tutor: JiangDengKe
School: Southwestern University
Course: Contemporary Chinese Literature
Keywords: poem-image relationship Rong Zi mood construction
CLC: I207.25
Type: Master's thesis
Year: 2010
Downloads: 44
Quote: 1
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Abstract


Rong Zi,as the’star poet of the grandma’s generation’, she started her writing almost at the same time of the start of modern poetry in Taiwan and has had a prolonged influence in her forty years’ poetry writing. Rong Zi’s poetry always conveys the conception of poetic and artistic mood which is the typical trait of classic Chinese poetry. In this paper, the author will illustrates the artistic style of Rong Zi’s poetry in two aspects. The paper will also explore the constructing system underlying the artistic mood of her poetry.Firstly, the mood of Rong Zi’s poetry is appreciated through the analysis of the relationship between the poem and the image. Both the presentation formats and the aesthetic effects of poetry and pictures are different. However, there has been a close link between this two art styles. "Images in poetry and poetry in painting " is the basic concept on poem-image relationship in China. The author will simply introduce the relationship between the poem and the image and analyse the aesthetic traits of Rong Zi’s poetry. The sense of pictures in her poetry is constructed in two ways. One the one hand, Rong Zi makes full use of intuition and imagination to describe the figure’s invisible affection in the realistic settings.Obviously, she is skilled in expressing subaudition through the overlapped use of imaginary and realistic description.The use of synonyms have contributed to create a sense of whole. Besides, the sense of pictures is also displayed through striking artistic contrast which can generate strong aesthetic impact on the readers from visual level to psychological level. On the other hand. On the other hand, Rong Zi is good at creating the mood of her poetry with the skills of painting. Outlines,colors and time-space exchange are used to assisst the affection expression and accordingly create the mood of "pictures hiding in the poem"Secondly, the constructing process of the mood of Rong Zi’s poetry is analysed from the perspective of painting in poetry. Aesthetic effect, as the common purpose of painting and poetry, is the central reason that they can be compromised. Affection and images are indispensable components of the mood of poetry. However, the affection in the poem is supposed to be reasonable rather than random ones. Similarly, pictures are nor just natural sceneries who should also include those can play into people’s hearts. For example, environments, figures or events that people are familiar with. Only in this way, the poem is possible to trigger the social psychological recognition and affective echo in the readers.Thus, the composers and the audience may come to the consensus on the aesthetic standers. The consensus results of the general principle of the arts. Rong Zi carefully chose the images and merged them into the poetry writing, which helps to visualize the poet’s understanding of life and the universe and arouse imagination and thinking in readers. This combination improve the aesthetic understanding and achieve the unity of the object and the self. The purpose of constructing scenes through imagination’manifests the glory of the nature and positive value of life. What’s more,the truth and the beautiful are the essence of the mood of Rong Zi’s poetry, which concerns the status of the human life and praise the glory of the human life.Based on the analysis of the artistic style and exploration of cultural meaning of Rong Zi’s poetry, we can find the effective communicative way between the writer and reader. We can also develop an deeper understanding of her poetry through the analysis of the constructing skills of the poetry mood.

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CLC: > Literature > Chinese Literature > The body of literature reviews and research > Poetry,verse > Poetry
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