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Ancient capital of the people

Author: ZhangHuaQiang
Tutor: ZhouYanFen
School: Northwestern University
Course: Contemporary Chinese Literature
Keywords: Jingwei writers Jingwei fiction cultural character Cultural Studies and Sociology significance
CLC: I207.42
Type: Master's thesis
Year: 2010
Downloads: 104
Quote: 0
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Abstract


In the 20th century, the mid-80s getting Hsing’s cultural "roots" craze, in order to raise Jingwei literature provides very favorable thriving cultural context. Comment on the source of the creative sector was ratified, pointing out that Lao She was the first generation of Beijing City’s literary creation. Lao She opened up public sentiment with Beijing Beijing dialect to write custom, the Dow set a precedent for Beijing human story. Lao She has been called the "public culture critics," although people familiar with the culture of giving too relentless satire and criticism, but his criticism is also found in the warmth of the things, that is part of the cultural heritage appreciation and preference for. Consciously in the 80 years in Beijing, then describe Beijing games, talk about Beijing something, write Beijingers, painting Beijing customs, way of Deng Youmei love writers such as Beijing, Beijing City was identified as the second generation of writers. A variety of public sentiment on the ancient capital of Beijing customs, culture, and to examine the phenomenon of looking for, then become a nostalgia, which Deng Youmei, Chen Jiangong, Lin Jinlan, Han Shaohua and other bodies can be seen on the subject of this book conscious choice. As the tide filled with China’s market economy, the third generation of Jingwei writers have emerged, mainly Wang Shuo, Feng Xiaogang, Liu Heng, Liu yi Da, as the representatives.They lead Jingwei commercial literature from an aesthetic boom, so that fiction and film and television creative pursuit of aesthetics in the 90 years to achieve strong sales and business win-win. Liu Yi da-up to Beijing traditional culture as a creative thrust, through the literary image of the Remembrance of the dead little by little, he used pure Beijing Jingwei Er language, describing the contemporary city of Beijing’s human and style, many of which works are also characterized the old Peking Man survival of the status quo, writing for the gradual passing away of "Jingwei Er" and wander in and regret. In reading his works, they can deeply feel the genuine sentiments of the Beijing customs, you seem to exposure among Beijing’s Old City and the Metro. In the depictions of individuals, Liu Yida with his keen eye to capture the historical accumulation of Peking Man, under the cultural character of our knowledge and understanding of the culture of Peking Man provided a good model. High culture, sociology significance.

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