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As one of Western literature schools,which was introducted into China,only magic realism is from Latin American.The influence is great and profound to Chinese literature in the 1980s later.This article retrospects the development of translathion and research to Magic Realism in China.The emphasis is the acception and filter of Zhaxidawa to Magic Realism of Latin American literature,from creative theme to creative methods. Including three respects:The first is lonely subject. I think the loneliness have threetypes:Robinson’s, Byron—Kafka’s and Marquez’s. The Robinson’s isolation isalone that caused by geographical sector.Byron—Kafka’s isolation refers to bothlife style and feeling experience which comes from the confliction among himself and others,and the outside world. Marquez’s isolation is the whole social lonely feeling,is caused by geographical position, ancient cultural tradition, western lieqi vision.What Zhaxidawa writes is very it. The second is "magic reality ". Author looks back this concept of the relevant judgments, analysizes the acception of it.The third is time view. Based on Tibetan culture, religion, Zhaxidawa adopted in lots of views of Magic Realism Literature,for example, the cycle and closed time,dismembered time, and so on.Of coruse,no innovation,no development. At the same in the draw form Magic Realism Literature, Zhaxidawa has Breakthrough and further development.His double cultural identities and multipled culture, when he accepted and imitated the Magic Realism Literature, he also shows the factor of ridicule in his works obviously.In short, Zhaxidawa,who referens the Mgic Realism Literature , expresses his own nation’s culture and psychology, descrips Tibetan’ history and their life experience ,in the creation of a national literature, has made useful exploration ,and set an exampleto Contemporary literature in China.
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