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The consolidated material language of the contemporary art in China

Author: LiXiaoTao
Tutor: DuanZhengQu
School: Capital Normal University
Course: Fine Arts
Keywords: Complex Material Humanities Free Strange Standard
CLC: J120
Type: Master's thesis
Year: 2008
Downloads: 263
Quote: 2
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Abstract


Today 's artistic landscape fresh , rich , have greatly different from the past . It can be said , in this new century is the era of a technology media , arising from the relationship of the art in the field of culture change . It is usual aesthetic value in changing the history of art has been described as a movement to the media , symbols , information from the subject matter , themes and language development , This shift not only in people connivance artistic types and boundaries generally digestion artistic norms , but also reflects the unified artistic aesthetic standards are all kinds of artistic practice test , and thus continue to be challenged , to be changing . We can no longer as in the past to the selection of a certain kind of tool materials , trained using certain proprietary technology to the performance of the broad aesthetic feelings in the world today , we are faced with such a situation , can not help but issued a \further reflection \\Reference to the sociology of art at the same time , the contents of the post-modern philosophy, modern aesthetics , the value of the humanities , the author demonstrated such a conclusion : comprehensive than the simple style superimposed , the material is not a simple expansion of specific species . They essentially relate to the thinking of the kind of social , cultural , historical and life philosophy . In the moment, the The Materials essence is - the vitality of release and freedom of expression ! Author's conclusion is \

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