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Study on Fresco Mausoleum and Society in the Northern Dynasties

Author: GuoZuo
Tutor: LiShuJi
School: Shanxi University
Course: Specialized History
Keywords: Coffin Chamber Northern Dynasties Community
CLC: K239.2
Type: Master's thesis
Year: 2008
Downloads: 357
Quote: 2
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Abstract


Northern Dynasty is an important historical period of the Wei, Jin and Southern and Northern Dynasties period of, including several Northern Wei, Northern Qi, Northern Zhou Dynasty, the establishment of the Northern Dynasties Asian countries, most of northern ethnic minorities. In addition to the era of the Northern Wei Dynasty in short northern unified, Northern Dynasty is basically a split. The regional regime differences in sub-rule and cultural tradition, the formation of different cultural outlook. Military conquest, population, banishment, religious propagation activities, and for the realization of the links between the various regions to provide the conditions for a blend of culture and art has opened a vast space. The Northern Dynasties archeology is an important part of the history of archeology in China. In field archeology over the years work, survey and excavation of the tomb portrait is an important content. Coffin Chamber widely distributed geographically, significantly different level, various image content, contains a wealth of information for the Northern Dynasties research has important historical and artistic value. The purpose of this paper is the distribution at different times, in different places within the tomb portraits material on the Northern Dynasties time and space coordinates to observe, study, to explore the links between the Coffin Chamber and the Northern society and its historical significance. In this paper, the analysis of historical documents and historical materials combined with archaeological data, On the tomb portrait reveals the social aspects of the Northern Dynasties, revealing the tomb portraits and Northern Dynasties social historical ties, and exhibit the history embodied in the tomb portrait screen, allows researchers closer the truth of history. Like text, image is also the history of the carrier, it is not only able to prove literature records, as well as new media and new angle for us to observe history, this is precisely the archaeological material has a \History of the manifestation of the double value. By the tomb murals observation material culture or its spiritual and cultural, are facing some of the \is still the problem of the \So, for the the Coffin Chamber and Northern Dynasties social studies, the main method used is the literature image data interoperability certificate, complementary. First, by comparing, comprehensive, fragmented portrait of the Northern Dynasty tomb material built as a basically consistent with the historical background of the organic whole; second is based on the previous one hand, research, analysis, interpretation, mining historical value contained in the material , cultural values, artistic value, trying to observe this period of history from a new perspective. For the comprehensive study of the tomb portraits and Northern Dynasties society, the results of only a handful. The currently achieved academic achievements, the focus is mostly focused on the archeology, art and science. This paper focuses on the history, archaeological data on the basis of a comprehensive study of the Northern Dynasties social history. The main part of this paper outlines the first overview of the Northern Dynasties tomb portraits before. After the Western Han respected the wind of Houzang, tomb portrait prevalent, there has been further development in the Eastern Han Dynasty. Southern and Northern Dynasties tomb portraits continue to prevail in many provinces have found it not only shows the painting achievements of this period, also reflect the prevailing social customs and style. Followed by Northern Dynasty tomb portraits, such as the concept of origin, diversity, and explore the situation and the preservation of the status quo. A Brief Introduction to the so-called tomb portraits mentioned in the article \the murals, bricks, portrait stone), burial (coffin bed, coffin, epitaphs), and other special facilities (such as the lacquered screens) on the image. Because these images in which parts, materials and production techniques differ materially from academia has not been, it is difficult to have a unified naming. Generally speaking, the the tomb murals carrier is part of the surface of the tombs construction, without including the surface of the appliance, but in many Northern Dynasty tombs, coffins, coffin, coffin bed also decorated with the portraits, the contents of these portraits, and study the Northern Dynasties social landscape have a close relationship. This article seeks to superficial display the social landscape of the Northern Dynasties, Northern Dynasty tomb portraits Therefore, in order to study with the wording of the convenience, the paper, the the the Coffin Chamber fuzzy concept to try to include the tomb chamber in decorative images. Finally, with plenty of space to discourse tomb portraits reflect about the Northern Dynasties community content, involving political, economic, religious, and social customs. Northern Dynasty tomb portrait is a multicultural factors and evolving the Han Tomb mural as the development of China's ancient tomb murals peak, its rich content is the major source of the Northern Dynasty tomb portraits. With the Northern Wei regime in Hexi and northeast areas one by one to conquer, Northern Dynasty tombs decorated indirect absorption Han, Wei and tradition preserved in these areas, to promote the generation of the Northern Dynasties early tomb portraits. With the Northern Wei's political center moved south out of the ruling on the needs of its laws and institutions, the arts and culture will inevitably absorb new factors, and fusion of gradually built up a can incorporate China orthodoxy but also multi-ethnic new culture mode, so the Northern Dynasty tomb portraits absorption the the alien cultural factors and Southern Dynasties tombs factors, they are successful transformation and integration, the formation of a unique Northern Dynasty tomb portraits characteristics. These the characteristics represent Northern Dynasties political, economic, cultural and other aspects, left to our \For Northern Dynasties social superficial inquiry found that the Northern Dynasties social history is a constantly absorbing, learn the history of the development of fusion.

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CLC: > History, geography > History of China > Feudal society ( 475 BC - AD 1840 ) > Jin, Northern and Southern Dynasties (220 ~ 589) > Northern and Southern Dynasties (386 ~ 589) > Northern Dynasties ( 386 ~ 581 years)
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