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The modern design of Japan and South Korea experienced the growth and expansion of the post-war half a century , has made ??striking achievements today , and domineering charisma have \The development of Japan and South Korea should be attached great importance to the design community . However, with respect to material goods between the two countries on the market colorful , modern design has become particularly feeble . Although we have a certain understanding of Japan 's modern design , but specific to the face of the Hyundai design , could afford . At this critical period of the rapid development of China 's modern design , the development context of the modern design of the two countries combing analysis and the establishment of this comparative study , the design positioning and future development planning is very important , even directly related to the Chinese economic development in the future . Japan and South Korea 's modern design course obvious difference: The modern design of Japan and South Korea can not \Japan and South Korea long-term bathed in the Chinese Confucian culture , after the war , they are subject to U.S. mercantilism and the impact of popular culture , as well as the overall time and space for the development of industrial technology in the post-war international environment , resulting in today's Japan and South Korea tendency dominant characterization of the convergence of modern design . However , Japan and South Korea each nation mettle performance of different value orientation , absorbed through the selection of the the postwar mainstream design thinking , integration , precipitation , and the formation of South Korea's Hyundai filled with \design distinction , and so based on integration of the various cultural components , such as costumes , dance , film, television, animation , games and other modern means of communication with the media swept across Asia and spread to the entire world market . In this study, to Japan and South Korea the history of modern design vertical timeline as a starting point , summed up the Japanese and Korean modern design development model ─ - inverted pyramid paradigm , on this basis, respectively , Japan and South Korea 's political and economic , social and cultural , science and technology background horizontal layers of depth, to generalize the influencing factors and conditions for the development of modern design history in Japan and South Korea , and then seek to Japan and South Korea modern design convergence and differentiation factors , and finally resolve the value of modern design study in Japan and South Korea China .
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