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The Modelling of Tang Painting

Author: MaBaoJun
Tutor: YuCheng
School: Shenyang University
Course: Fine Arts
Keywords: Portraits of the Tang Dynasty The line to form Form and spirit
CLC: J209.2
Type: Master's thesis
Year: 2010
Downloads: 120
Quote: 0
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Abstract

Every age, social implications as ideology painting by Tang Dynasty painting in its strong historical and cultural impact, and build a central core of traditional Chinese painting. Its portraits Dynasties peak. Content from the form of paintings, murals, scroll painting brilliant performance; religious subject Taoist and Buddhist figure painting, full of literary context aristocratic ladies feast tour map, rich subject matter; from the form of expression, the line to form traditional cultural ideas and constantly enrich and line drawing style gradually increased, the content and form of the perfect combination. Clear to the style of the Tang society - vigorous, generous, beautiful, high-pitched. Portraits in which occupies an important position, mainly by means of modeling, painting the plastic arts, the shape of the pillars that support the entire painting. Painting to leave the shape of a single talk about painting, just like the water passive, wood rootless. Portraits shape, Tang Dynasty paintings Heaven and a styling concept, the use of the image of the shape to complete, emphasizing the dominance of the subjective feelings of the people in the painting is of objective things reprocessing, re-creation process. Whether Zhang Zao's \. By the following factors to analyze the Tang Dynasty character modeling features: (1) combined with the political and cultural environment of the Tang Dynasty, to elaborate the aesthetic fashion under the strong historical and cultural background, and its impact on the shape of. Portraits can not abandon the real life separate creation, screen themes and content are a true reflection of the spirit of that era style, portrayal of real human environment, and at the same time affecting portraits styling philosophy, the expression means . (2) of the Tang Dynasty literature and art is the culmination of the ages, Wen-Xing Cui rotten, celebrity times, painting as one of them, like everywhere master master portraits styling philosophy, the way the early Tang Dynasty, Sheng , middle and late period of four literary philosophy are inseparable. Literature abstract depiction of Figurative Expressionism paintings reflect the reality of life is consistent with the literature painting is a kind of mapping and interpretation. (3) Buddhism spread from Han, by the Wei, Jin and Southern and Northern Dynasties to the early Tang Dynasty, it is the ruler of advocating. The advent of Buddhism Buddhist paintings, Buddhist painting style similar to the foreign style Buddha statues in Central Asia, India, and gradually become the shape of Middle-earth style style. As a native of Taoism, the Tang Dynasty rulers also cater to, so Taoist and Buddhist figure painting as one of the drawing theme, occupy an important position. (4) In addition to the development of figure painting scroll paintings, murals peaked, as the sister art of stone carvings, sculpture and other contemporary plastic arts also achieved a high degree of achievement, which proved the Tang Dynasty, figure painting and other plastic arts joint relations, but also can further analysis of its styling features and styling basis. (5) From the point of view of form and spirit \

The Modelling of Tang Painting

Abstract

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