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The Comparative Study of Qingzhen Paradigm and Mengchuang Paradigm

Author: ZhangJianRui
Tutor: SunHong
School: Jiangnan University
Course: Ancient Chinese Literature
Keywords: Qingzhen paradigm Mengchuang paradigm Northern Song Ci Southern Song Ci
CLC: I207.23
Type: Master's thesis
Year: 2010
Downloads: 130
Quote: 0
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Abstract


From Southern Song dynasty to now, there are many critics of comparative study of Qingzhen Ci and Mengchuang Ci .Scholars has provided a solid theoretical basis as well as some classical scholars for the later argument. But some of these conclusions are mostly empirical understanding about some fragmentary style of comment and not a more detailed theoretical system. This paper comprehensively reviewed on the basis of available information, dig forerunners of the research results, and try to compare the new perspective the Qingzhen Ci and Mengchuang Ci.This article is divided into " recomparative study of Qingzhen Ci and Mengchuang Ci ", "the relocation of Qingzhen Ci and Mengchuang Ci". "Confrontation and Confluence between Northern Song Ci and Southern Song ci". This thesis is divided into three chapters.The first chapter compares the Qingzhen Ci and Mengchuang Ci, select a representative to analyze the Ci discourse, expounded Qingzhen Ci and Mengchuang Ci artistic characteristics. Chapter II starts on the basis of discussion in the first chapter, from the Zhou, Wu artistic characteristics , sum up the aesthetic paradigm of Qingzhen Ci and Mengchuang Ci. Chapter III summarizes the first two chapter’s the content and promotion of the positive "Ci divides north and south," the premise, to Mengchuang Ci as a typical form, taking into account other representative poet, the word for the full set of Northern Song and Southern Song development situation of mutual accommodation and refined aesthetic paradigm of the Song Ci features a total of three, that "the unity of form and vivid," "unity of content and form," "unity of nature and crafted."This article based on previous theoretical results, to break through the inherent idea to develop a new vision, exemplary by the Qingzhen Ci and Mengchuang Ci do case studies, concluded that the two laws and the creation of Song total aesthetic style.This paper is the brunch project of my supervisor’s national ancient sub-committee issues directly funded projects.

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