About 128 item dissertation in line with Print query results,the following is 1 to 50(Search took 0.079 seconds)
- Spirit of Enlightenment new woodcut movement and cultural heritage,SuMing/Central Academy of Fine Arts,0/3
- Kitakaoka Fumio scenery woodcut research,LvYuan/Central Academy of Fine Arts,0/5
- Prints of the extension - prints as a way of thinking,ZhangXiaoHui/Central Academy of Fine Arts,0/2
- Mental space visual presentation,WuLiZuo/Central Academy of Fine Arts,0/4
- Painting and social events - from the representation to the personal construct,GeXiaoFei/Central Academy of Fine Arts,0/4
- Research on multi domain cooperation "Cheng Mo yuan" in the making,HeYingJie/Central Academy of Fine Arts,0/1
- Colors of "Hometown" in Marc Chagall's Chromatic Lithograph Works,QiuFei/Central Academy of Fine Arts,0/0
- The relationship between texture form and language lines - texture and tactile and visual style of painting lines in painting,DongDanDan/Central Academy of Fine Arts,0/1
- Study of painting language of modern art copperplate painting my,PengYong/Central Academy of Fine Arts,0/1
- Photosensitive Materials Involved in the Application Prints,XieJi/Shenyang Normal,0/3
- " target="_blank">Porcelain vision - caused by multi media creation mode of Pierre Uze, "the sea son" creation way and "porcelain visual" ,GengXue/Central Academy of Fine Arts,0/1
- Perfect form behind - art language,ZhuPeiHong/Central Academy of Fine Arts,0/4
- Organic - on the art field construction,ZhangXiaoXue/Central Academy of Fine Arts,0/2
- The artistic creation of "sudden" folk art aesthetic,YeFanCheng/China Academy of Art,0/18
- "Crane" magazine and the monk, micro-blog - Republic of China traditional culture and contemporary China survival condition,WuLin/Central Academy of Fine Arts,0/27
- Real change - from the "thirty-two quarter" to the art of rational expression,ZhangZuo/Central Academy of Fine Arts,0/24
- "Indirect" Value,ZhengZuo/Hubei Academy of Fine Arts,0/30
- Creation of Woodcut Prints on Paper Hand to Convert the Relationship between Language,XuHui/Hubei Academy of Fine Arts,0/57
- Find beauty - coated accidental painting color printing inquiry,ZhouDing/Central Academy of Fine Arts,0/26
- From "uncontrollable" to "controllable" - how to use screen "uncontrollable" of creation,ZhaoJinXiu/Central Academy of Fine Arts,0/24
- Accidental masterpiece painting to Hugo as an example,LiangYiQing/Central Academy of Fine Arts,0/32
- Extended spatial sneak - print art language,ZhaoChenShuo/Central Academy of Fine Arts,0/33
- Research on the Technical Language of Lithography,GaoChuan/China Academy of Art,0/10
- The image of the image to digital image and painting,ChenYunJie/China Academy of Art,0/20
- Sun walkers - on Zhou Yiqing's painting language,ZhangWei/Nanjing Arts Institute,0/13
- Non - material loses the view of artistic creation from the natural perspective,YaoGuPing/China Academy of Art,0/10
- Visit us and - from the "walk" to experience the way of painting show,XuZhen/Central Academy of Fine Arts,0/8
- Life is a dream - Alfred · Kubin's painting world,WangJianShu/Central Academy of Fine Arts,0/9
- The micro vision about the shoes,JinJing/China Academy of Art,0/24
- And experience a wonderful feeling - try on language performance,WangJing/Nanjing Arts Institute,0/25
- "Points" to the construction of paper - screen print language,HuangMingFang/Central Academy of Fine Arts,0/17
- Restriction and style theory without the main version coloured woodcut learning process of discovery,LiJun/Central Academy of Fine Arts,0/17
- The traditional print and the replication of context extension,KongXi/Central Academy of Fine Arts,0/20
- Artistic contribution of mezzotint engraving art of copy version of the artist John Satin,WangGuoZhao/Central Academy of Fine Arts,0/15
- Expand the fine pride - print creation method,JuZuo/Central Academy of Fine Arts,0/20
- The early liberation of Gansu regional print development of -1949-1965 year Gansu regional prints,WangSanJia/Central Academy of Fine Arts,0/19
- Study on the reasons for the rise in Jiangsu in twentieth Century sixty watermark prints,CuiZuo/Central Academy of Fine Arts,0/24
- Interactive - the inevitable trend of the development of the arts,ZengDong/Lu Xun Academy of Fine Arts,0/8
- History of the sky - how to describe their reunion scene,CongWei/Nanjing Arts Institute,0/0
- A case study of Li Hongren and the lithograph - lithograph artist Li Hongren,MaKai/Central Academy of Fine Arts,0/43
- Comparative Studies on Chinese and Japanese Modern Woodcuts,LiCanHui/Yanbian University,0/36
- Painting in the "indifferent" -- Reading Su Shi's literati painting,Wang/Central Academy of Fine Arts,0/40
- On the new China seventeen years (1949-1966) to generate color prints of regional differences,ZhuLi/Central Academy of Fine Arts,0/62
- Schema features simple and rich - Morandi works,LiYang/Central Academy of Fine Arts,0/57
- Inspired by the children's painting,FengZhuZhu/Central Academy of Fine Arts,0/65
- Chinese Ink Artistic Elements Used as Image in Silkscreen Print,LiShiHua/Central Academy of Fine Arts,0/71
- Art of life records print - Gu Yuan in Yanan,WangZuoBiao/Central Academy of Fine Arts,0/69
- Wang Weixin copper engraving teaching research,ZhangYiFan/Central Academy of Fine Arts,0/75
- Interpretation of art master - stage self Painting Schema formation,ZhangNingFei/Nanjing Arts Institute,0/21
- Discussion on the difference of the production process and the original intention of the sketch,WuMengShi/Central Academy of Fine Arts,0/21
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