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Modern figure painting of Ren Bonian painting art from the fashion and change perspective

Author: XueYunXiang
Tutor: HanGuoZuo
School: Central Academy of Fine Arts
Course: Fine Arts
Keywords: Ren Bo Painting Traditional literati painting Modern paintings Painting style Personal aesthetic taste Chinese Painting Ink portraits Painting language Folk Painting
CLC: J205
Type: Master's thesis
Year: 2002
Downloads: 358
Quote: 1
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Abstract


The paper made a deep research in the premises, style and sources of Ren Bonian’ art by the method of case study, and researches Ren Bonian’s role in the process from tradition to modern style.At first, the paper expounds the three premises that help to bring about Ren Bonian’s art: (1) The primary education from his father Ren Hesheng. (2) Impact of traditional scholar painting. (3) The demands of flourishing economic in Shanghai after the Opium War. These three Premises had Ren Bonian take a road to care about real life, adapt to art market, meet the residents’ love and fashion.Ren Bonian learned art from Ren weichang and Ren Fuchang, took chen laolian’s style directly. In portrait, he founded a new style and skill, which had his aesthetic interest match to the society fashion. In genre, landscape and flower-bird painting, he still founded his style. He was not only an occupational painter, but also an art researcher. He studied, matched and reformed the folk painting style and folk painter’s skill and material that scholar Painter had not involved in. Then invented an exact painting language and expressing method.Ren Bonian’s painting is agreed to be model that suits both refined and popular tasivb. He had not continued the traditional scholar painting, but had carried and developed the advantage part of traditional scholar painting. At the same time, he took the light-shadow relation of West sketch and portrait skill of Chinese folk painter into his painting creation, then founded his more perfect style. For these reasons, the paper thought, Mr.Ren Bonian was a bridge that turned the traditional scholar painting into modern painting. He was an important person who invented ink-water figure painting and ink-water portrait, and made a long and deep impact on modern Chinese painting.

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