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The Zhang Jie novel narratology as the threshold under

Author: ZhangYang
Tutor: ZhuDeFa
School: Shandong Normal University
Course: Contemporary Chinese Literature
Keywords: Zhang Jie Novel Narrative Cultural Context
CLC: I207.42
Type: Master's thesis
Year: 2007
Downloads: 385
Quote: 2
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Abstract

The narrative study Zhang Jie novel Interpretation of Zhang Jie effective way, so you can go deep into the text internally, to see its inherent structural characteristics, so as to avoid the vague and impressionistic criticism. In this thesis, while combing the Zhang Jie narrative feature evolution trajectory, and strive not only to grasp the the cultural connotation implied narrative feature, and grasp the relationship between good text and contexts of interpretation. In narrative theory, as the threshold, through the tense combination of Zhang Jie novel Diachronical the community found a series of problems in the law of the narrative feature, narrative mode, narrative feature, narrative strategies. Such research has important significance on a comprehensive and accurate understanding of the writers and its unique status of literary history. Available at different stages of Zhang Jie narrative: First, the from narrative discourse morphology, Since the set foot in the literary world, Zhang Jie novel experienced from Diachronical visits to individual discourse, a discourse of the nation suspense The evolution of the narrative, between the middle of this process is the modernist narrative discourse is full of tension. From the narrative form and ideology, the early works show the story of idealism isomorphic characteristics. The author once believed the story to be able to carry the passion and conviction of idealism. This narrative mode depends on the literary facing cultural context, and with the revitalization of the nation, \Third, relying on the \The increase in this kind of narrative sense of the scene of the novel, and expand the breadth and depth of the novel reflects reality. Heavy wings \Zhang Jie urgent reform novel Discourse operation and self-confidence, as well as narrative structure features the same national allegory. , Zhang Jie modernist novel bid farewell to the story, the story was submerged in a series of modernist narrative woven into the narrative network, beyond the meaning of the discourse itself and overwhelm the story. Zhang Jie's modernist novel strong \Zhang Jie's modernist novel characteristics in the handling of narrative time and narrative space. The unique arrangement of the narrative space, creating a collage-narrative structure; regular time setting of the narrative, and the novel has a unique narrative rhythm. From realism to modernism across the underlying causes of the writers of modern consciousness. From a narrative level of the early idealism and realism works can be found in the \\\the control and restructuring its narrative strategies. \The VI \. Common tense, we can see that the law of Zhang Jie main narrative of the novel: from the art of the novel structure point of view, Zhang Jie's novel experienced by the plot - character \mode, and then \This overall artistic mode of evolution is not only the evolution of the art form, it also has a close relationship with the changing cultural context. Second, the from narrative mode function variation, the \With the changes in the thinking of writers, with a narrative mode can be a carrier of carrying different ideology, spiritual realm, psychological trend, narrative mode, meaning the change depends on the writer changes the perception of the quality of life. Third, Zhang Jie reveal the works of feminist consciousness in general with the following narrative features: First, the female characters are designed for the middle-aged intellectuals; most of the male image blur and weaken. Heavy wings, clear the image of the actor just set up for the expression of the nation-state imagine, when it comes to gender ethical relationship, men become faceless image. This is the same performance on a narrative strategy, to fully demonstrate the experience of the female gender, the male image naturally in the text to be marginalized. The third is the driving force of the story is the struggle of women to the patriarchal, women pursuit of independent personality and female self-sacrifice. Zhang Jie all the performance of female consciousness novel omniscient third-person narrative point of view, but the narrative point of view it is deliberately known, may not know. Fourth, the historical consciousness of view, the heavy wings figurative language writing contemporary history, \personal historical insights both from objective history (History) \Contingencies of history, feminist consciousness, individual fate and so challenge the noble and inevitability of history. Five, \When run the letter \symbol. Circulation and variability of semantics, we see both the Chinese and Western cultures mix and rejection, they see the contemporary feminist ideas spread with the forces of the Western classical text. , \The two works of Zhang Jie product of the two stages of social cognition. , On behalf of social conscience in this cognitive process is always female intellectuals (leaf Zhiqiu, Wu Wei) and the same type of characters (veteran cadres), respectively, in the two texts by the praise and condemnation, this is because of the two text belongs two sets of discourse systems, they have their own standard of value, they are not compatible with each other.

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