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Two Paradigms of Study on Chinese Calligraphy and Painting Esthetics

Author: WangXianXiang
Tutor: WangYuXiong
School: Anhui Normal University
Course: Aesthetics
Keywords: Deng sting Zong Baihua Painting aesthetics Paradigm
CLC: J22
Type: Master's thesis
Year: 2003
Downloads: 148
Quote: 0
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Deng sting , Mr. Zong Baihua famous modern Chinese esthetician , late in the New Culture Movement , they regarded academic research focused on the aesthetics of Chinese calligraphy and painting . The two gentlemen are in the Central and Western extensive solid academic background , to respective theoretical methods to study traditional Chinese painting and calligraphy aesthetics , established a shining example of Chinese Painting and Calligraphy theoretical research . Their calligraphy aesthetic thought , especially painting and calligraphy theoretical research method has a major impact and inspiration for the time being and later Chinese painting and calligraphy theorists . In this paper, Deng , were Mr. differences in academic research methods as the focus , on the one hand, for the overall grasp of two of Mr. painting aesthetic thought Comparison Research on the other hand, Mr. painting aesthetic thought , hoping this clearance two Mr. painting aesthetics understanding of the overall look and increase awareness of the two Mr. established theoretical study of Chinese calligraphy and painting of the two paradigms . This article is divided into four parts , respectively, from Mr. Deng , were cultural choices made ??in the Chinese and Western cultures convection ; Deng, the cases of two paintings aesthetic theory and its cultural and philosophical foundation ; Deng , were two of the \, discusses four \

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CLC: > Art > Painting > Chinese paintings
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