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Chinese Realistic Painting in the Image Era

Author: DuYuDong
Tutor: HuangZhenNan
School: Zhejiang Normal University
Course: Fine Arts
Keywords: Image Multi-type Formal Language Realistic painting
CLC: J209
Type: Master's thesis
Year: 2012
Downloads: 70
Quote: 0
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Objectively speaking, realistic painting, just as its name implies, is about the Physical research in the real world and is about an artist’s reaction in the metaphysical ea realistic painting derives from the recreation of life, which truly reflects the artist’s inner world. Realism is of profound art history. From European Renaissance art in hundred and forty-five century of to contemporary, we can found that this type of art have been continued up to nowadays, and even in modern multimedia digital era, realistic painting still is one of the important means for artistic creation. As an image cultural form, it is also a mirror that reflect our age art features.Especially over hundreds of years between14,15century Of European Renaissance to modern arts, concrete realistic art has been the most mainstream form of western.Realist painting is a western art genres with a deep tradition, as one of most western language art forms, Realist painting and it’s artistic trend, come to China only for more than a century, but it was the greatest event in the history of Chinese modem art.For it is an exotic in China, realist painting still is an a very ancient and young art form, so that be known by national people and won their hearts just because of the various "real" image described by artists. Of course, compared with western traditional Realistic painting, we only know a little about it, so we have a long way to go. In such a rapid development of "the image age", western traditional realistic painting art and contemporary Art development is really different form the concept of domestic mainstream culture. Nowadays, the problem of domestic oil painting not lies in the limit of the type materials or the skill, but depend on whether the contemporary artists who steer it can keep a highly attention and confession on humanistic spirit and express them superiorly. Based on the fact that the development of oil painting in China is relatively backward, the understanding and capacity of the domestic public still stay in the creation of realistic painting, which determines that the realistic painting in domestic has a wide prospect. But along with the progress of era, information sharing and multiple, domestic artists pay more attentions on the present state of foreign arts, making domestic art appeared many art forms that advanced Public of Dutch Painting Art again. Together with the formation of the thought of painting visualization, Chinese realistic painting runs into a very complex intersection. How realistic painting in China with such a deep cultural connotations to take root in the land of the germination, how can out of our own consciousness contains form and condition culture of aesthetic new age art, which require us to have a new period of artists not only in the domestic culture have very good understanding, absorption, and also on the western art history, cultural background has a certain amount of understanding and experience.Only in this way can we constantly promote Chinese-Western Cultural and arts stripping and Integration, know ourselves, not blindly, impart the update means on realistic painting,in order to make it have a better development prospects.The rapid development of Image technology is changing the understanding of real object and visual image, which plays the irresistible deconstruction role on painting. Obviously, to understand and study the relationship between image of art and painting is of great significance for the creation of contemporary.Art. By reading the history of the domestic realistic painting, analyzing the important period of contemporary realistic painting and to combine with the history of the development of western realistic painting.this paper mainly discuss that which form and concept should be taken by domestic realistic painting to develop itself and to go out a special artistic road belonging to the Chinese nation in modern society full of all kinds of complicated image.

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