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Virtuality and Factuality: Temparory Painting Schematic Study Based on Image

Author: XuYan
Tutor: WangHaiLi
School: Xi'an Academy of Fine Arts
Course: Art of Design
Keywords: popular culture image camera language pure painting comic bookJapanese-style cartoons
CLC: J205
Type: Master's thesis
Year: 2011
Downloads: 91
Quote: 0
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Imaging technology is the great invention in human history,and it has great influenceupon its development of contemporary culture.In the era of pictures, images become thegeneral way perception and cognition of things and they also has an important influence onthe artists’thinking and creative way.Contemporary painting discussed in this article focuseson the pure painting and comic books,from the cultural background of contemporary art andthe relationship between videos and paintings,analyzing the impact which images have onpaintings,the evolution of drawing schematic and the dependence of paintings on images andthe reference of paintings to images.It highlights the use of video camera language inpainting.And combined with the methods and techniques of film shooting,it analysis therelationship between images and paintings by the multi-angle method.With the integrationand development of the images and painting,video presentation and the interpretation ofpainting over the image cause the reflection of contemporary painting,the “through the lensof”images and paintings are virtual or real led to the question on images and contemporaryart.The paper is divided into four parts:Part Ⅰ: longitudinal study of the relationship between images and contemporary painting,drawing analysis of contemporary cultural context of painting deveelopment and theinfluence of imaging technology, way of viewing images on the paintings.Part Ⅱ: specifically addressing the impact of images on pure painting and the referenceof pure painting to images, with examples describing schematic tendency and paintingmethods of pure drawing.Part Ⅲ: describing Chinese comic books and the status of Japanese-style cartoons byschematic analysis of Chinese traditional comic books and Japanese-style cartoons,emphasizing the apply of camera language in Japanese-style cartoons successfully.Part Ⅳ: the reflection on the mass culture, mass media, image and contemporarypaintings expressing doubts about cultural phenomena and the problems exposed theypresented in the course of development of contemporary society.The content in the first three chapters discussed this article looks at contemporaryculture from a positive side, video and painting.The article highlights the painting schemaanalysis of the second and third chapters, described the methods of image viewing and theinfluence of camera language on the evolution of paiting schematic. The fourth chapter ismainly the reflection on image and contemporary painting.

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CLC: > Art > Painting > Painting theory. > Drawing reviews,appreciate
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