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From the late 19th century to the three decades of the 20th century is the the artistic language consciously era. Factors included in the traditional art - independent, artists, religious, political, literary exclude these factors, retained the pure painting of lines, colors, structure factors, to learn from foreign arts - Japan and the East The re-designed shaping traditional arts as well as original art on the basis of these retention factors, it reached a peak with the end of the 19th century industrial civilization, society will become more standardized and orderly, uniform opposite and complementary. The interaction of such internal forces and external forces, and finally produce a refreshing modern art. The lines this pure painting factors in modernist hands has become a special means of expression. He is not only the formal lines, but point to the inner, by the tension of the line, the direction and visual effects to evoke subjective spirit. Renaissance has post-impressionist before the rise of classical masters who (Raphael, Ingres, Poussin sketch manuscripts) we were able to line set of modeling language, see lines role. This role is to explain to the \Is the toughest and most sincere efforts to restore the real thing. Such lines is implemented, is visible. Modernist paintings Impressionist future until we see the lines are no longer so simple a point to watch with the expression \An expression of ineffable. They are trying to draw lines from shaped to leave, so that the lines on the screen to speak, its own way of expression and the ability to express. As a result, the lines gives visual sensory stimulation can help people point to an \A more than more people to see the real thing. To enrich the language of painting more possibilities. The first part of this paper write the differences and connections of modern Western painting lines with traditional painting lines about the concept and visual look to change the way the lines from traditional Western painting to the evolution of modern painting; practice of the second part of writing lines of modern Western painting, modern The painting on the choice of materials and the use of ever-changing lines highlight the charm of the line up of different materials; analysis of the third part of the use of philosophical principles, to further explain the role and significance of modern painting lines, that the lines of the \visible. \
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