Dissertation > Excellent graduate degree dissertation topics show

Chinese Painting Art Performance Characteristics in the Study

Author: ZhaoXia
Tutor: LiDeYan
School: Lu Tung University
Course: Fine Arts
Keywords: Traditional Chinese painting pen and ink thebody and the spirit Artistic conception metaphor and analogy
CLC: J212
Type: Master's thesis
Year: 2014
Downloads: 0
Quote: 0
Read: Download Dissertation

Abstract


China is the excellent cultural tradition and country with a long history, with richnational style of Chinese painting is gestated in the fertile soil of several thousand years.Chinese painting has a long history, mainly on its aesthetic features in the trunk in the spirit ofConfucianism, Taoism and Buddhism as aesthetic value, in general is to keep the "nature andhumanity" is the ultimate perspective, form "with god" the unity of the Chinese aesthetictheory, showed the nationality of Chinese art characteristic, become a unique painting systemin the world art history. Artistic conception beauty is the most important aesthetic category inChinese traditional aesthetic theory, one of the traditional Chinese painting is the mostcharacteristic of national art aesthetic standard, is also the Chinese painters in the observationof the natural object with paint, after the processing and refining of subjective consciousness,into its own aesthetic ideal and aesthetic temperament and interest, reuse certain artistictechnique, formed the rich connotation of artistic atmosphere, is with god, virtual and real,dynamic and static, perfect and harmonious unity, sentiment and scene is also a painter’ssubjective emotion, spirit, ideal and natural object perfect fit.Along with the continuous development and progress of The Times, how can Chinesepaintings will show its unique artistic charm, beauty, artistic conception and occupies a placein today’s global culture? This is what the contemporary lots and lots of scholars have beenone of the research subjects are discussed. This paper is from the traditional Chinese paintingart performance characteristics, artistic conception as a starting point, to study and explore theembodiment of the artistic conception of Chinese painting this feature, so want to makeChinese painting artistic conception beauty of this nature can be attach importance to theinheritance and development with bottom go to, want to be able to help to inherit and developtraditional Chinese painting art. Under the lead of this thinking, this thesis is divided into fiveparts.The first chapter, the thesis preface part. Simply elaborated the research background,purpose and significance of this paper.The second chapter, divided into two parts. The first part is a simple overview of thehistory of Chinese painting development background. The second part is expounded in acertain historical development of Chinese painting art performance characteristics, artistic conception.The third chapter, divided into three parts. Mainly from the traditional Chinese paintingcomposition a starting point for the demonstration of the aesthetic pursuit of artisticconception, write traditional Chinese painting composition object arrangement in the firstquarter, from S rhythm and movement actual condition and edge blank in the third partdiscusses the artistic conception of Chinese painting. In the second quarter from thetraditional Chinese painting the perspective of Chinese painting artistic conception beauty. Inthe third section, mainly from the traditional Chinese painting composition TiKuan QianYinto artistic conception of Chinese painting.The fourth chapter, write traditional Chinese painting "artistic conception beauty of thescene", is divided into two parts. Mainly from the traditional Chinese painting of the "poetic"and "xingshenjianbei, lively" discusses two aspects of the traditional Chinese painting’sartistic conception beauty.The fifth chapter, is conclusion part. Is a summary of full text, and draw conclusions.

Related Dissertations

  1. The Aesthetics of Concave and Convex,J525.3
  2. Research on Xu Dishan’s Aesthetics of Life,I207.42
  3. A Cross-Linguistic Study on Similarity in Cognitive Metaphors,H05
  4. Conveyance of Artistic Conception in the Ancient Chinese Poetry Translation,H315.9
  5. Through the Pen and Ink to Express Feelings, to Write the Magnificent of China Chapter,J212
  6. Study on Fu Xueyi’s Classical Chinese Poetry Songs and Singing Appreciation,J605
  7. On Transference of Artistic Conception in Zhuangzi,I046
  8. Instantaneous dynamic eternal beauty,J212
  9. Eternal Beauty,J954
  10. Creation of ink cartoon \,J954
  11. Realization of Figure-Ground Theory in Chinese Idioms,H136.3
  12. The Prototypical Effect of the Artistic Conception in Classical Chinese Poetry and Its Extension-from the Perspective of the Prototype Theory,I207.22
  13. Shen Cong-wen’s the Beauty of Artistic Conception Xiangxi Novels,I207.42
  14. From the Song Verses to See the Artistic Conception of Chinese Gardens,I207.23
  15. Wield the Brush to Play the Scene to Perfection and Show the Miracles of Chinese Ink,J218.7
  16. Realization of Figure-Ground Theory in Chinese Idioms,H315.9
  17. The Wang Yangming poetry mood new to say,I207.22
  18. On the \,I207.22
  19. The Research of Chinese Classical "Poetic Imagery" under the Viewpoint of Receptive Aesthetics,I207.22
  20. Gu Taiqing Words,I207.23
  21. One love one soil,J205

CLC: > Art > Painting > Painting techniques > Chinese painting techniques
© 2012 www.DissertationTopic.Net  Mobile