Dissertation > Excellent graduate degree dissertation topics show

Fauvist Paintings Formal Language Study

Author: XueDongDong
Tutor: LiGuoSen
School: Shenyang Normal
Course: Fine Arts
Keywords: Fauvism Matisse Formal language of painting
CLC: J213
Type: Master's thesis
Year: 2014
Downloads: 1
Quote: 0
Read: Download Dissertation


In this paper, a theoretical point of view in the form of language, analysis Fauvistpainter and his work on behalf of, a deeper understanding of the beauty of Fauvistworks in painting form language. In the long process of development of oil painting,producing many artistic concepts, but also produce a lot of style factions, painterspainting formally conducted in different studies. Produced in the early twentiethcentury French Fauvism, composed by a number of artists, they followed the directionof the heart, with the non-reproducible color language, happy to express themselves,to achieve the greatest degree of self-liberation and paintings, Fauvism marks theemergence of the idea of painting the world showed a modern sense, is a change in thepainting. In this paper, a lot of literature and reference books, paintings using analysis,document retrieval access to other research methods, formal language for Fauvistpaintings were analyzed. Respectively, from the performance aspects of physical andspatial layout, strokes and lines, colors and decorative, such as on the performance ofthe Fauvist paintings in the form of language were analyzed. It is evident that theimpact of the East and West Fauvist paintings painting generated Fauvist painterabsorbed the essence of Oriental Art in the form of two-dimensional plane and Africanprimitive art, creating a form different from the Western tradition of painting in thepainting language, their pursuit of artistic expression boldly subjective, affect thedevelopment of modern painting, affecting people of the whole world a newunderstanding of the concept of art. They use solid direct smear seemingly randompicture, they deform simplified form, completely breaking the shackles of traditionalWestern theory of painting. Fauvist paintings explore the formal language, theirperception towards life, to treat mental attitude toward the depths of our art is the artof guiding light, is our way forward and efforts. Fauvist paintings on the formallanguage of analysis and research not want people to go to the surface to imitate it butwant people to go with the heart of the arts and sincere sentiment Fauvism. Fauvismpainting is a world of colors, their work philosophy, the objective is no longer tomimic things as the main task, do not simply record the story, nor the performance ofobscure meaning, their bold colors and innovative forms, works and ideas widelycirculated, inspire and serve for those go further, more radical modern art genre. This constant innovation exploration is worth learning and thinking, and strive to breakthrough the traditional concept with a new painting ideas and forms to reflect the newera, the only way the arts to continue to innovate and create more brilliantachievements.

Related Dissertations

  1. Painting children adult and adult children phenomenon,J205
  2. The Research on Matisse’s Painting,J205
  3. On the Artist’s Painting Style Chang Yu,J205
  4. Reflect the value of traditional art,J205
  5. Study on the characteristics of modern western painting color Van Gogh and Matisse,J205
  6. Tribute to Nature and Life,J0
  7. Study of Henri Matisse and Fauvism,J209.9
  8. On the Influence of Matisse to Contemporary Chinese Oil Painting as the Representative of Fauvism,J213
  9. The Research of Henri Matisse’ Cut-outs,J53
  10. Cable structure analysis of the energy variational method,O342
  11. The Research about Matisse’s Painting Theory and Painting Work,J205
  12. The Study of Early Modernist Art,J205
  13. Comparative analysis of Lin and Matisse 's style,J205
  14. Henri Matisse painting art pure concept study,J205
  15. In Oil Painting the Sketch of the Cultivation of Picture Consciousness,J205
  16. Painting in the Shape, Color, Composition and Expression of the Relationship Between Artist Ethos of,J205
  17. \,J605
  18. Exploring the Component Elements of Shanxi Guangling Paper-cut,J528.1
  19. Stick to "Meaning", Lose "Image" and Keep "Shape" in Mind,J215
  20. Fauvism Painting,J209.9

CLC: > Art > Painting > Painting techniques > Painting techniques
© 2012 www.DissertationTopic.Net  Mobile