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Consideration and Research on the tuomusi painting creation style

Author: WangZiZuo
Tutor: ZhaoKaiKun
School: Jilin College of the Arts
Course: Fine Arts
Keywords: Minority paintings Mongolia oil painting measure manifestation mode Contemporary
CLC: J213
Type: Master's thesis
Year: 2013
Downloads: 3
Quote: 0
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Minority oil painting is an important part of our national art, theculture and art of ethnic minorities, in recent years it is called the originalecology of art, it has a close relationship with nature and enthusiasm, andnational character.The development of Inner Mongolia’s long-standing nationalpainting, painting theme is mostly rooted in the soil of the scenery, thepraise and the people working description, form, the Soviet realism oilpainting depicting meticulous, rigorous modeling, skillful, become thegeneral characteristics of Mongolia oil painting in this period. The otherway to grasp, in-depth understanding of the modeling system and masteryof oil painting techniques has played a positive role, Mongolia nationaloil painting also therefore further mature.Mongolia contemporary group painting produced large changesfrom the technique from the Soviet model, original now joined theChinese complex expressions, which deepened the ethnic characteristics.This article from the realistic, concrete expression to the abstractexpression, this three ways in detail the development process of Mongolianationality and ethnic characteristics of the abstract painting, this way ofexpression in detail.Contemporary art ideas gave us new opportunities and new startingpoint, let Mongolia oil painting in the present reality of life in bothnational and permeation of contemporary, is the real valuable source ofcreation.

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