|
In the design, the most concerned about the cultural finished design culture, rarely mentioned as a design vector - material culture. In my opinion: given the material historical and cultural connotation with the development and progress of the historical development of social, geographical, ethnic traditions, science and technology, philosophy, religion, art, the aesthetic ideas of other factors. Conferred this connotation is not out of thin air, but based on the physical and emotional characteristics of the material itself. In a three-dimensional space, the material can be sublimated culture, design can also affect the design and material expression of the height of the culture, the culture is also spirit and humanity. It can be said that the culture, design, materials three affect each other, complement each other and promote each other. In a high-tech society, the human being to seek a higher level of life and enjoy the pursuit of a higher level of spiritual world, a trend to balance the pursuit of high-tech and high emotion, to balance the pursuit of a high rationality and humanity. With the development and advancement of technology, this balance the needs of a growing sense of. The powerful role played by the material more and more prominent. Designers to express the emotion and design philosophy of their own design, it is necessary to communicate with the material, feel, create, and play process. Out of the material of the culture is boring, and out of the design of the culture there is no vitality. Either product design or architectural design, only accurate grasp of the material culture, in order to give its life through the fusion of the material itself. In this article, I first of all based on objective, accurate and reliable information discusses the theory and concepts of materials and design, culture and design, materials and design interaction, culture and design also interact on. This leads us focus on the material and cultural relations, culture, design, materials three complementary and mutually influence. The physical and emotional nature of the material to build the basis of design material culture, we systematically study the design of the physical and emotional nature of the material, to pave the way for the the product material culture analysis. The author informative analysis of the material culture products and building two systems for the order. Coincides with the theory of the interaction of our cultural, design, materials and excellent design works to further clarify the relationship between the three elements of the network. Finally, the author in accordance with the historical sequence of development, from a cultural perspective discussed in detail chair such a material change of both universal and special product. Almost all seat design has a tacit understanding that is in line with the theoretical framework of the trinity of material, design, culture, and this reinforces our theoretical system can learn. In my opinion therefore, material culture to convey a pivotal role in the design should take into account not only the basic functions of the material physical level, should mining personality characteristics of the material and the spiritual connotation, play sensual charm and performance of the material in the form of language tension, reflect deeper social era culture. The excavated material that is more traditional and art to explore the spiritual and cultural. I believe that the materials, design, cultural Trinity theoretical system design and teaching will undoubtedly work to bring new ideas and models, this subject will further explore and deepen a rigorous scientific system.
|