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Sima Qian , of Dong Zhongshu music thinking the Comparative Study

Author: DongFei
Tutor: ChenSiHai
School: Shaanxi Normal University
Course: Musicology
Keywords: Confucianism Thought on Music Sima Qian Dong Zhongshu
CLC: J601
Type: Master's thesis
Year: 2010
Downloads: 88
Quote: 0
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Abstract


This thesis from the Han Dynasty Confucianism all two iconic figures - Sima Qian, of Dong Zhongshu their works start to explore the similarities and differences, and the significance of Sima Qian, the of Dong Zhongshu music thinking the Han Dynasty political, economic, cultural and historical background. I hope a more comprehensive understanding of the heritage of the Chinese Confucian musical thought process allows the readers. The text is divided into six chapters and three parts. The first three chapters of the first part mainly explore Sima Qian, of Dong Zhongshu music thoughts era cultural background, combined with Sima Qian Dong Zhongshu life and works, found that although the two have a common Confucian heritage, but because of their outlook on life. differences in political outlook, leading to its ideas fundamental distinction. Chapters 4 and 5 for the second part, is the focus of the article, to the writings of Sima Qian, Dong Zhongshu remarks based duo's musical thinking from two of the inheritance and innovation of traditional Confucian thought, research, drawn by Sima Qian music ideological core Jen as \Two chapters both Sima Qian, Dong Zhongshu music thinking research, the comparative study of the invisible. Sima Qian Lile, largely inherited the \Sima Qian human nature certainly recognize the objective existence of a desire, he embodies the people of this ideology. Dong Zhongshu thought is to create a striking characteristic of the interaction between heaven and philosophical system. He advocated Confucianism is not completely pre-Qin Confucianism, but said traditional Confucianism and yin and yang combine to form a metaphysical Confucianism theological system of thought. This view of heaven constitute the of Dong Zhongshu music Philosophical foundation has also become a significant feature of Dong Zhongshu music thinking. Dong Zhongshu's thought, whether it is produced Gagaku music occur in the natural situation or king, the ultimate root of all days. As the successor of the pre-Qin Confucianism, Sima Qian, Dong Zhongshu have a traditional Confucianism respective successors and breakthrough, their music thinking of the Confucian music ideological heritage and the development of great significance. Sima Qian, of Dong Zhongshu music thought, is the important part, but also about the Han Dynasty Confucian music thought research an integral part of the ancient Chinese musical aesthetic ideology. Chapter 6 is the third part of this article, the dominant comparative study two musical thought. First, Qian, Dong Zhongshu's ideological differences with the Lu Qi Xue, classical and Jinwen differences. Second, Sima Qian life obsessed with the history of the book, \He, directly or indirectly, in the \these are valuable literature is left for us to understand the shape and characteristics of the music of that era. Dong Zhongshu musical thought both maintain the feudal autocratic monarchy social principles of divine right of kings and the system of class distinction, on \\

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