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The Ancient Version Draws in Xinjiang Studies

Author: TangZhiQian
Tutor: GuanWeiXiao
School: Xinjiang Normal University
Course: Fine Arts
Keywords: Xinjiang The ancient version draws Personality characteristic
CLC: J217
Type: Master's thesis
Year: 2010
Downloads: 47
Quote: 0
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Abstract


According to archaeological finds and historical documents of Xinjiang, we can simply find that the ancient prints of Xinjiang has its own special appearance characteristic,prints craft and social function. These are all due to the special geographical characteristic, cultural characteristic and historical characteristic of Xinjiang. Xinjiang always been a part of China, so that the ancient paints of Xinjiang has its own meaning on the ancient version painting history in China. But it is pity that either the results of the history or the research in today,there’s no one which is aim at the research of Xinjiang’s ancient paints.The ancient Chinese version painting can directly call it as "replication version painting" because of its painting, sculping and printing. Create version painting belongs to a newly things in China. So that the research of Xinjiang’s ancient paints is a part of "replication version painting". To the origin and development research of Xinjiang’ancient paints, we can incessantly sum up the appearance characteristic, technique characteristic and cultural characteristic of Xinjiang’s ancient paints. To demonstrate the meaning of the history in ancient version in China; the conditionality of its own and the influence of Chinese ancient paints.By the research of the literature, the study of the museum and the investigation of the society. To collecting the written and cultural relic data, to seriously realize the historical background of the Xinjiang’s ancient paints, to seriously know the historical data and the status quo of the world. A ccording to the characteristic of the period to demonstrate the development of Xinjiang’s. And base on the interview about the correlative regions and the sections to demonstrate the reliability and the historical value of the collecting data.Based on the composing main factor of ancient version and the foundation of the social cultural function, further analyze the reason of the culture and the history, to discuss the special meaning on the history in the Chinese version and the influence in Xinjiang’s painting development.Follow the river of the history, things from its born to its grow up has already followed a certainly historical regulation. China is mother land of the wood engravings, the long history and culture left a great spiritual legacy. In order to solve this problem, we collect the data about Xinjiang’s ancient paints, from its own characteristic,we can get a conclusion that it has been a long time. At this long history stage, the ancient prints of Xinjiang has its own special geographical, cultural and technological characteristic. So we can not admit that its important historical meaning in ancient version painting in China, and as its development , it also made a great influence in today.

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CLC: > Art > Painting > Painting techniques > Printmaking techniques
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