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On Giotto’s Artistic Achievement in the Context of Style

Author: LiuHongTao
Tutor: HuangRuiXin
School: Henan University
Course: Fine Arts
Keywords: Style Giotto Art Wolfflin
CLC: J205
Type: Master's thesis
Year: 2011
Downloads: 92
Quote: 0
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Abstract


People's awareness about the style, there is a sprout from the development to the people deliberately to create a long and complicated process. Style uniform in content and form of works of art, thought and art among the early Renaissance, people are conscious about the style is very obvious. Giotto's work is based around the 13th century aesthetic combinations decision constituted, which itself has an inherent harmony consistent, but clearly different from other styles, it is to give people a deep impression. This is also the author chose Giotto and his work as a style analysis of initial motivation. Giotto style formation, where the age of Giotto and his personal artistic development maturity. However, in the ensuing centuries, people Giotto's artistic achievements of the \However, it is undeniable that in the centuries repeatedly, the scholars of Giotto and his works have been more objective attitude. In many styles of art history research, the author's main concern is Wolfflin style changes related research. Wolfflin style changes for explanations and has its own unique, he concluded the five pairs contains the basic concepts of the dialectical relationship between the author of Giotto great help. In this article, the author aims to examine the early Renaissance, people in the field of painting and criticism gradually increase awareness about the art style in the context of the art of Giotto be interpreted, therefore, the main content is to use the relevant Wolfflin style theory to tentatively interpret the works of Giotto, the style of its context in Wolfflin style under the judgment. At this writing, the author of five Wolfflin elaboration and application of the concept did not exhaustive, but rather be focused. This article first \Then in such a context, to further explore the early history of the image of the artist Giotto in the literature, as well as works of Giotto Giotto style views and attitudes change. Of course, talking about the art of Giotto techniques must not bypass the metaphysical question, but can not ignore its important spiritual resistance, so the article is also on the above two aspects of the appropriate research. Finally, the author based on his own experience and on Giotto painting works close attention to the style of theory Wolfflin Giotto's work style tentative definition, expressing understanding of the work of Giotto and Giotto Art style sentiment.

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