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Heritage Development Integration and Innovation-Image Oil Painting in the Performance of Language

Author: LiGuoJun
Tutor: ZhaoKaiKun
School: Jilin University
Course: Fine Arts
Keywords: Intentional Painting Freehand Ethnic painting Light Line
CLC: J213
Type: Master's thesis
Year: 2011
Downloads: 110
Quote: 0
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Abstract


Chinese culture has a strong integration and assimilation. Buddhism passed since the end of the Eastern Han to the Tang Dynasty to complete the process of Chinese painting, sculpture or grotto temple architecture reflects the strong Chinese characteristics. Integration of local culture and the Buddhist theory of the formation of a unique \Qing Dynasty, plot poor and weak people of insight to the West for salvaging the country roads, the East-West cultural exchanges appear again. Chinese advances in technology, economic development, the country's prosperity, and the building of socialism with Chinese characteristics, are inextricably linked with cultural integration and assimilation of the middle-aged country to win time for China's modernization drive section, the short and The gap between the developed countries. Colonial means of painting as it is in this context was introduced to China, after centuries of development, the initiative by passive imitation to creation; the painting language aphasia steering issue strong national voice. With Chinese aesthetic sense is that the image of the painting began to form and fill volumes. The article describes the first course of development of oil painting in China. The painting was introduced to China by missionaries, in the context of traditional Chinese painting of world domination, and do not form a climate. With Chinese painting stylized increasingly heavier, artists began learning to the improvement of Chinese painting to painting, so the rise of study abroad. Students most of whom became the backbone of modern art education after returning to school and train a successor force for the development of China's oil paintings. With the changing times, the Chinese oil painting gradually find the direction of development, formed its own language system, relying on the traditional Chinese culture imagery painting being formed. The second part is an overview of the Intentional Painting. The article from the Chinese painting the Freehand and paintings of imagery to start a brief overview of the Intentional Painting. Intentional Painting pay attention not only to create a mood of Chinese painting valued, but also pay attention to the portrayal in painting, the integration of Chinese and Western painting long, formed their own language features, which opened the way for the nationalization of the Chinese painting with the world. Discussed in Part III of the images oil painting language conversion. Man with light line as the starting point, by contrast to the traditional Chinese painting and traditional painting, understand Intentional Painting inheritance of both integration and pioneering, innovative, and to sort out from the microscopic point of view and techniques level positioning. The article from the macro background, theory, relying on techniques level analytic purpose to make the concept of Intentional Painting a more three-dimensional, more clarity. Of course, limited to the lack of theoretical training and techniques continue to mature, the grasp of this artistic phenomenon still biased or inadequacies, I will continue to improve in the future of art practice, and continuously improve, for research and development of the best Intentional Painting own strength.

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