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The disaster movies modernity narrative research

Author: LinMei
Tutor: NiuHongYing
School: Shaanxi Normal University
Course: Radio and television Art
Keywords: Disaster movie Risk Image Narrative Modern Reflection
CLC: J905
Type: Master's thesis
Year: 2011
Downloads: 159
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Abstract


The disaster movie risks Pictured is unique, it is the perfect combination of modern technology and the arts. In modern society, technology is highly developed, the sharp increase in wealth, hidden ecological crisis in modern civilization. In recent years, the real-life natural disaster occurs frequently, disaster movies as an to convey environmentally conscious, reflecting ecological concern works of art, to become the object of attention. Focus from the theory of narrative, simulation, modernity, an overview of the study disaster movie. Articles to a specific disaster movies, for example, the interpretation of the images of disaster movies in risk presented, respectively, from narratology point, an aesthetic point of view, the characteristics of modernity perspective of disaster movies to be analyzed. Based on the study of the development status of the disaster movie, disaster movie pointed out that in the process of cultural transmission in the ideological indoctrination, the problem of industrial production in the Popular Culture. And the development of disaster movies make forward-looking. The article is divided into four parts: the first part: an overview of the disaster movie. In this paper, the definition of disaster movies, from the initial phase of the disaster movie, the development period, the prosperous period 11 to do a comb. Related to the subject matter of the disaster movie to summarize it. Roughly divided into natural disasters disaster movie, biochemical disaster two categories. Part II: focus on interpretation of the images of the disaster movie narrative. First, we discuss the disaster movie narrative structure. Dualistic structure specific movie reflected, disaster movie, causal undertake structure; Secondly, the interpretation of a disaster movie narrative perspective, discusses from the perspective of the omniscient third-person narrative point of view; Again, the analysis of the disaster movie narrative rhythm, analysis in the form of internal rhythm and external rhythm; characterized specific text and from the disaster movie narrative time and space to discuss its enclosed space and limited time, to extract the unique narrative of the disaster movie spatio-temporal characteristics; Finally, from the narrative strategy analysis, disaster movies in the genre, or entertainment, has its worthy of note at. Contemporary disaster movie is a work of art is also a commodity, under the conditions of competition in the market, the film broke the traditional mode of narrative innovations to some extent. Part III: modern disaster movie. Analysis of the technical aesthetics, the use of modern technology, simulation reproduce the disaster scene; disaster movies of the screen with the real world combination of innovative audio-visual technology, to promote the development of disaster movies; modern criticism of the disaster movie. The modern diversified rendered to have contradictory. Modern edged \Excessive use of the modern society, technology, makes all things lose their spirituality, this phenomenon is worrying. Be overly advertised in the disaster movie \At the same time, the article discusses the culture of disaster movies Theme. Disaster movie on the one hand to promote ecological awareness and philosophy, but on the other hand, the shooting process, but also cause more serious damage to the ecological; disaster movie in the audience's aesthetic experience is interspersed with strong ideological indoctrination, American centrism national consciousness as well as individual heroism, the film has been fully reflected; addition, the disaster movie narrative and story structure sometimes too patterned, making the movie only excessive pursuit of sensory stimulation, lack of exploration of the human spirit. Part IV: disaster movie trends outlook. Disaster movie at the box office considerable wide audience, but also there are many problems, and how to avoid the problem, better development of the disaster movie, is the practical significance of this study.

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CLC: > Art > Movies, TV Arts > Film,television, art theory > Television and movies, reviews, appreciate
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