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Art songs in the late 18th century and early 19th century , is a music and poetry combined vocal genre , style, elegant , artistic conception ; famous poet 's poems, lyrics and more choice with a unique form of features and aesthetic norms , higher skills vocal art in a unique and artistic become wonderful . Inner Mongolia art song as a part of the Chinese art songs , the context and the characteristics of its own development , and produced some excellent art songs . However, so far , Inner Mongolia, art songs are not yet clear comb and the scientific definition . Many people in the industry , including most of the composers and vocal teachers , Inner Mongolia, art songs do not have an accurate understanding and positioning that was even proposed a classic as long as the high artistic level and is generally popular songs accompanied by piano accompaniment is the art song ; folk songs should art songs ... Clearly, the understanding of not only not in line with the historical facts of the foreign art songs , is not conducive to the development of this vocal genre . In this paper, the basis of existing theoretical studies of art songs , through an interview with the local national composer and musicologist , collected works of art songs in Inner Mongolia , the use of the methods of ethnomusicology , combining music anthropology , strive for accurate and detailed combing and explore the art songs of Inner Mongolia , and appeals and promote more composers can pay attention to and be able to write a really high standard of art songs , to carry forward with the spread of the local national Vocal Music creation teaching , prosperity the Inner Mongolia vocal creation, to improve their level and taste .
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