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In painting the field, all the painting are inseparable from the form and exist independently, form the core of the painting. Artist’s aesthetic tendencies, life experience, cultural literacy and painting techniques and other aspects of the comprehensive accumulation of modeling fully reflected in painting, figure painting in terms specific to the ink is no exception, modeling is an important basis for ink figure painting, along with Chinese ink and paper and ink are unique, as unique Chinese ink figure painting expression, ink figure painting with its vivid image of the subjective performance of the artist’s thoughts and feelings and emotional meaning unspeakable, so that healthy work presents a unique aesthetic value.Chinese Ink Painting has a long history, from the perspective of the development ink figure painting, figure painting in the style of traditional ink characteristics can be summarized as images, so as to shape, calligraphy and picturesque features of the aspects, but with the community to before the development of the early 20th century, the Chinese cultural change for the decline of national power behind the beating, the first thought is that the Western "scientific" and "democracy" and the May Fourth movements brought about by the scientific ideological trend, changing China the traditional way of thinking, the change of Chinese painting will be launched at this time. Traditional figure painting, "the ink, light shape" to "Lively" as a criterion, while the Western emphasis on visual effects and realism, it is the study of spatial perspective, the structure of the scientific principles-based figurative painting. During this time artists have explored from different angles the improvement of the road of Chinese painting. Chinese Ink Painting is also a change in the past, "Yi pen hastily, not for the shape of the face of things gradually formed a style blend of methods, ink figure for the later laid the foundation for innovation and development.Image of Traditional and Western style concrete shape with the development of mutual collisions, the modeling concept has been innovation in the lineage, in innovation while maintaining the traditional elements, this concept formed the shape of both the East and West rub House Director, study its origins, its history, evolution will give us presents, "shape" the development of a clearer context. By studying the historical evolution of the shape of ink figure painting, you can explore the concept of national painting style from the "Where to" issue, on this basis can we predict its "where to go" for the practice of writing style to provide more clear direction for
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