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\Prevalent in the eighties poetry groups Sichuan, five poets also due to the trend in the trend of their mutual relations and their writing standards derived \consistency. Five-Jun Writing is very personal, and the subject of this article, \. This article focuses on the interpretation of the poetic text, in view of the importance of the chime essay writing, will also be included in the interpretation within; Also on the background of the times, the poets of the personality and their interaction with each other's evaluation. Five-Jun poetry can become worthy of interpretation of the multi-body lies first and foremost in their poetry reflects the excellence, the best thing for people to be able to show, however, they also reveal the limitations, this is what we interpret five-Jun poetry to explore the other side - they show a glamorous body language, how to reveal the language of trance, pretense or even false, the body language dislocation: Baifar is a never entered poet of the 1990s, his poetry writing in the eighties blanch mesh and brilliant, but the same end. Temperament type in Baifar quirks and his talent led to his initial poetic language fresh and exciting, language as a norm transgression, which is a way to get the body language of sense. However, the wear and tear of the youthful and talented, Baifar body the old-fashioned no longer able to support his poetry writing body into its own rigid in - it is absent, poet Baifar stay in his eighties. Unlike Baifar, Ouyang rivers is very sensitive to the times and new things the poet, his wit and meditations let him easier near Times, capture the latter's embarrassment and absurdity. Ouyang rivers of writing, however, prefer to use a pre-set concept to capture life. His language is very easy to fall into the absence of the kind of physical state, and even longer beautiful sentences, as if it is made, rather than the body breathing born. And Ouyang rivers corresponding to go with the concept, Zhai Yongming writing has become more one thinks. Her poetry writing is almost recorded their own life experiences and the traces of life, which is of Zhai Yongming most important place, also can be seen from most true and sincere body where - unlike through abstraction and landscaping \Once caught, however persistent in the body, the state caught thinks is right, people will value judgments bias - what kinds of worthwhile written, what is not worth it? Which traces is crucial - - such as Zhai Yongming poetry mother, a woman, and their inner all the fear, confusion, etc.; And what is irrelevant, such as the large number of bars in her writing poetry. Instead of unthinkingly loyal to the body all to writing, it exists in and where Zhang dates, language and body into the enigmatic relationship. Poets do not want to show unreservedly the first traces of the body, he vacated his analogy, placing them in his beloved \Zhang jujube problem is himself a frenzied pursuit limit the body language and his poetry, as he said the kind of do a 300% perfect. However, when the poet countless times body superimposed empty of full and empty the perfect metaphor vacated, the body may have been lost in which the chime pen Beginning of the body with his physical restraint and thinking at the same time , trance boundaries exist. Five people, the depth of the relationship between language and body thinker was undoubtedly chime. Moreover, he seems to have found a dream return to solid objects and persistence in a fresh look at the language, and a fresh look at who we exaggeration, pretense language - or just missed the body language because people trance . Because the Five Monarches poetry writing is very different from the analysis of the five poets each listed separately chapter corroborate when it comes to the issue of language and body, before and after the text. This paper attempts to explore the poet, language, body and world through a detailed interpretation of the text - the combination of the analysis of the era and poet personal.
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