Dissertation > Excellent graduate degree dissertation topics show

The late Ming and Qing \

Author: ChenGuiMei
Tutor: SunShuWen
School: Shandong Normal University
Course: Aesthetics
Keywords: “Sheng(生)” The late Ming and Qing Aesthetic interpretation
CLC: B83-09
Type: Master's thesis
Year: 2009
Downloads: 88
Quote: 0
Read: Download Dissertation

Abstract

Aesthetic categories as a knot on the network have a great significance in the construction of aesthetic ideology . Various historical periods have a period to reflect the unique aesthetics idea of aesthetic categories.“Sheng(生)”category has experienced the emergence and evolution of more complex process, which sprout in the Tang Dynasty, developed in the Song, to deepen and mature in the Ming and Qing Dynasties. In this paper, substantial research literature on the basis of the“Sheng(生)”area of origin, evolution, aesthetic connotations of the reasons for the formation of the comb made more comprehensive, this article is divided into four parts.The first part of“Sheng(生)”of the aesthetic concept is the development process of a brief description, mainly from two aspects of philosophical and aesthetic analysis .“Sheng(生)”was first introduced by the“Zhou Yi(周易)”,It was thought that“Sheng(生)”mainly refers to the universe of life and life is not interest in how the evolution to a mean of aesthetics and style of literature on the“Sheng(生)”.“Sheng(生)”as an independent in the areas of philosophy,“Zhou Yi(周易)”,“life is vulnerable”, and“Heaven and Earth of health is“Sheng(生)”,“Zhou Yi(周易)”that the universe, the most noble, the most valuable qualities is“Sheng(生)”.In Spring and Autumn Period some thinkers promote“Sheng(生)”of thought, from the emphasis on the development of human life to understand the value of the life of everything in the universe. Emphasis on the philosophy of“Sheng(生)”reflect the aesthetic ideology of“Sheng(生)”to pursue the pursuit that began in the Tang Dynasty aesthetic changes to the peak in Ming and Qing Dynasties.The second part focuses on“Sheng(生)”is a aesthetic connotation. This part is divided into three parts, first of all think of“Sheng(生)”is beyond the original innovation. From a literary style, the form does not rigidly adhere to their predecessors creative ways, and dare to create their own unique style. Not follow the beaten track on the content, unique and can be made by our predecessors should not matter. Secondly, from the literary point of view, is a blunt cut and polish—naturally these three stages to achieve a natural, non-carved ornaments not creative realm. From the realm that is not work-related workers, getting back to basics. Art is long and arduous and language arts skills of practicing media in order to achieve the high degree of technical proficiency level of the high degree of freedom. The success of any literary and artistic creation, skills of the temper is a necessary process of the creative process of art are experienced from birth to mature and then cooked to the three stages of Health. From the state, said,“Sheng(生)”is the pursuit of getting back to basics, do not work while the realm of life.“Shu(熟)”after“Sheng(生)”is the highest level this is the extreme of the plain gorgeous natural, it does not have any signs of cut and polish, Lao Zi simply said“wisdom disguised as slow-wittedness”realm.The third part of the main analysis is that“Sheng(生)”has become the late Ming to the Qing’s unique aesthetic aspects of the causes. Focus is from the laws of artistic creation, cultural time refraction merchandise causes of economic and political influence. The first is the mid-Ming Dynasty thought the birth of Romantic literature and art played a role of a catalyst, leading to people’s aesthetic psychology has changed.Ming the middle of capitalist production relations and the rise of the public sectors, as well as the main body of the corresponding self-concept, personality and passion burst forth consciously cultural awareness increased, together with the Neo-Confucianism of imprisonment on people’s thinking, desires and aspirations of the shackles of emotional and other factors lead to a romantic thought. This trend is the performance of the most prominent writers of self-worth and the pursuit of confirmation. Second, the impact of the law of literary creation, was their main reason for creation. Founding in a literary style, it must have a spirit of innovation, often in another style of mature, become a common practice when people imitate the old style for the abuse and be innovative. Finally, the impact of commodity economy, the late Ming period of the aesthetic sense, the social roots of the capitalist commodity economy is mainly the seeds of ideas to promote the vigorous development of stocks.Once again, the infiltration of philosophy to achieve“Sheng(生)”has been the development of guidelines for thinking. Philosophy is the soul of the times, reflecting the thinking of an era of dynamic intrinsic pulse, each occurred in an era of great historical changes in a variety of ultimately manifested in the philosophical thinking.Part IV describes the“Sheng(生)”as the late Ming to the Qing’s a unique aesthetic category is not a solitary existence, it and other areas of the aesthetic is inextricably linked to, but also essentially different. Main put“Sheng(生)”and its meaning is similar to the“Pu(朴)”and its antithesis“Shu(熟)”and so on in comparison to more clearly grasp the meaning of its aesthetic. The main difference is that "humble", "Park" No form of cut and polish, the most simple, the most original creative works to demonstrate content.“Sheng(生)”and“Shu(熟)”is a literary and artistic creation, the two basic requirements,“Shu(熟)”is“Sheng(生)”basis,“Sheng(生)”is a“Shu(熟)”sublimation. Only“Sheng(生)”, works hard to understand abstruse, and not knowing what. Only“Shu(熟)”, the work falling into the patterns, can not help.“Pu(朴)”“Zhou(拙)”and“Sheng(生)”, as was also seen as a sign of highly sophisticated art.Conclusion that the“Sheng(生)”not only in the late Ming and Qing Dynasty are an important aesthetic areas, and its aesthetic characteristics of today’s literary creation and development of great reference significance. First of all literary and artistic creation from the point of view, in order to achieve“Sheng(生)”, the first element is the basic training, which is the foundation of artistic achievement and a source. Second, to achieve“Sheng(生)”is to grasp the principle of proportionality.Excessive pursuit of“Sheng(生)”, excessive publicity of the main characteristics of creative personality, regardless of to“Sheng(生)”, claiming that they were leading the New Wave era and neglect go from understanding to grasp the spirit and charm, from the learned to ignore the substantial its meaning, then the final result can only be because of the lack of real effort to become true past .

The late Ming and Qing \

Abstract

Related Dissertations