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A Study on the Theory, Practice and Relevant Issues of Music Criticism

Author: ZhouLi
Tutor: HanZuoEn
School: Shanghai Conservatory of Music
Course: Musicology
Keywords: Music criticism Value judgments Objectivity Aesthetic experience Concert Review Music Criticism Writing
CLC: J605
Type: Master's thesis
Year: 2011
Downloads: 72
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Abstract


Music criticism both theory and practice in the West has a long-term history and development , and achieved fruitful results . Music criticism in China started late , has its own characteristics and mode of development , but from a theoretical construction and practical experience with Western music criticism , there is a gap . As times change and development in our country , there has been a lot of good music critic , which also contributed to the development of our music career , in a sense , there is no no music critic unremitting efforts today the status of the Chinese music and achievements. Music Criticism as an emerging discipline , an urgent need for theoretical and empirical . The three paper will be discussed . Chapter music criticism theory is divided into five , the first is the concept of music criticism , respectively , from the definition of music criticism , music criticism and music reviews discuss . Section II is the nature of music criticism , from the interpretation of music criticism , music criticism and other critics compare to discourse . The third quarter is the function of music criticism , the fourth quarter is a value judgment of music criticism , Section V music historical overview of the development of critical consciousness context . The basic problem , the views and positions of some of these elements are involved in music theory guidance related to the practice of music criticism . The second chapter is the music criticism practice , divided into three sections , the first section of music criticism practice subject multifaceted analytic . Section II relates to the practice of music criticism of media , such as concerts , news magazines , audio and video recordings , and other aspects . The third section is the presentation to the practice of music criticism . The last chapter of the thesis put forward some contemporary music criticism , reflection and the development of Chinese music criticism .

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CLC: > Art > Music > Music Theory > Music criticism,appreciation
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