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On the Chinese Contemporary Oil Painting after Breaking the Trend of the Bubble Economy

Author: LinHai
Tutor: LiLi
School: Chongqing University
Course: Fine Arts
Keywords: Market economy Oil market Bubble economy Pseudo- contemporary Development trends
CLC: J124
Type: Master's thesis
Year: 2011
Downloads: 67
Quote: 0
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Abstract


Painting is an important form of art in the Western tradition of painting. Unique historical background, the real development of oil painting in China only a hundred years. Compared to traditional Chinese painting and calligraphy, and his influence in China, and the social recognition is not high. Therefore, in this hundred years of development, for a long time, investors and collectors of Chinese oil paintings are not too much interested. Exact market entry Mainland China Oil Painting, become a commodity, that is, the 1980s began. On the formation of the oil market in Hong Kong and Taiwan than the mainland earlier Mainland oil market once all the Chinese art market downturn, the gray area of ??least concern. With the mainland of China's accession to the WTO in the 21st century, the mainland market further economic prosperity. With the improvement of the economic, cultural life and spiritual needs of the people has increased year by year, in the background to expand communication and global cultural and economic exchanges with foreign capital involvement and participation in the operation, the domestic galleries and auction company joint capital operation linear upward trend led directly to the price of Chinese oil paintings, aroused great attention; along with the continuous improvement of the people to the attention of the Chinese oil market, the painting collection fixed investment groups and grew, the rapid development of Chinese painting art market, the attendant will emerging the painting market bubble phenomenon. With contemporary art prices climbing, the pseudo \The late Chinese contemporary art with the market time, there is no formation of the norms of the market order and criteria, so filled with all sorts of weird art theory and pop culture kitsch pseudo contemporary art flows into the market. They been able to enter the market because in the manipulation of the creators of the pursuit of the economy, and some merchants and hype. Such a work of art, and does not reflect the era of the social landscape of the spirit of the times and the artists' world. But blindly follow the trend, ridicule popular culture. No special artistic aesthetic value. And poison the people's minds, the destruction of the normal rules of the art market. In the long run, hinder the exploratory development of Chinese painting. The works reflect the artists mind the wonders of the world and society Vientiane was the essence of the art aesthetic. Face of the temptation in front of the Chinese contemporary artists should maintain self-esteem and retrieve unique independent quality of their own work. Treat their own artistic creations honest, athletic, and get rid of those impetuous another utilitarian burden. Both theorists and critics should that attention to the establishment of a reasonable and orderly art market value system, to take responsibility for the comprehensive development of the health of the Chinese art market, and focus on the exchange and discussion of contemporary Chinese art and Western art, rather than blind draw, lose their own local characteristics. Only in this way, the development of Chinese contemporary oil painting space will be broader.

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