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Poetic Homes in the South of Yangzi River Region
Author: TianGuangRong
Tutor: JiangDengKe
School: Southwestern University
Course: Contemporary Chinese Literature
Keywords: Dai Wangshu’s Poems Regional Culture South of Yangzi River Culture Physical Image
CLC: I207.25
Type: Master's thesis
Year: 2010
Downloads: 137
Quote: 1
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Abstract
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As a poet who grew up in the South of Yangzi River region, Dai Wangshu’s poetry is imperceptibly influenced by the impact of South of Yangzi River culture, as well as the text has a unique geographical and cultural features. This paper attempts to elaborate Dai Wangshu’s cultural roots in the regional culture of the physical geography, cultural customs and so on, that is, the poet’s local South of Yangzi River poetic culture.I This part will specifically address the unique flexibile thinking mode in the South of Yangzi River region and the mild, gentle style of artistic creation style obtained from the point of view of the physical image, that is the water in the South of Yangzi River region. Dai Wangshu’s poetry can be seeking and interpreting a kind of Strong water culture and complex.Because, the water has soft, deep, flow and other characteristics,which would inject water cultural traits into the western of Zhe Jiang poet. At the same time, this paper will summarize the South of Yangzi River culture, that’s flexible of the aesthetic characteristics.Through the discussion of the aspects of aesthetic construction of negative images, as well as the effeminacy and simple language style.II This part will specifically discuss the South of Yangzi River writer’s esthetic consciousnes of the universe,which obtained from the point of view of the garden physical image. Because of the natural environment and the style of the literature gardens play the spirit of the South of Yangzi River’s ideal home of the writer’s perfect personality. therefore, we can explore the unique sense of the universe in Dai Wangshu’s arts,and pregnant with the rich seclusion feelings of the south of Yangzi River culture spirit,that is the pursuit of poetic spiritual home culture. It can be said that, the ideal of Dai Wangshu to find his homes and pastoral feelings, which triggers his local hidden garden complex, and the complex is also a kind of collective unconscious in the Wu Yue long-standing cultural tradition.III This part will specifically explore the rich folk culture of the South of Yangzi River, which obtained from the point of view of the folk custom physical image. The collective custom of one place and the life style from generation to generation brought a strong Wu Yue folk culture taste to Jiang Su and Zhe Jiang’s literature. This paper excavates Dai Wangshu’s thick cultural implication of South of Yangzi River in his aesthetic psychology,which through the discussion of the material and spiritual folk custom. Meanwhile, in the South of Yangzi River region, customs and people’s way of life has also given the poet a kind of cultural nostalgia, and to convey strong feelings of local culture.Finally, this paper will generalize Dai Wangshu’s consciously or unconsciously South of Yangzi River cultural complex in his arts,and excavates Dai Wangshu’s thick cultural implication of South of Yangzi River in his aesthetic psychology,which based on geographical cultural perspectives to interpret Dai Wangshu’s poetry.
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