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The Car Writing of Maodun’s Urban Novel in 1930’s

Author: LiCuiFang
Tutor: SongJianHua
School: Jinan University
Course: Modern Chinese Literature
Keywords: Car Urban Fiction Material culture Modernity Thirties
CLC: I207.42
Type: Master's thesis
Year: 2010
Downloads: 66
Quote: 0
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Abstract

Car since the date of birth as the product of an industrialized society, beyond the scope of the transport to load specific social attributes and cultural identity. The paper first outlines the car with modern Chinese society relations and the car is written in modern literature, and on this basis, trying to figure digging out the car from the the Mao Dun thirties urban novels, represented mainly by car modern substances civilization and traditional culture of the collision, the Mao Dun reflected by the car writing that ignited the modern feel on a physical level and spiritual level, and auto image the Mao Dun idea of ??the fate of the nation desire to sort out the three major automotive writing. Enter China in 1901, the car ride to the typical image of the modern Western material spokesperson in the streets of the Chinese city and walked into the writers' vision, writer imagine themselves in a manner consistent aesthetic imagery involved in the field of literature in. Thirties Shanghai, although the car is truly present in the society of the living space, dynamic, stylish, supple figure to enter the territory of the urban culture, shake the old traditional roots and tried to push China from the material and spiritual levels the modernization process, however, due to the special status it is full of westernized color and complex social situation, the car did not immediately integrated into the city's cultural and biochemical its image is full of complex implication. , It was the image of advanced artifacts appear specific to the works of Mao Dun, the performance impact of traditional Chinese culture and Mao Dun Western material civilization rational praise while behind in a rational manner, showing the of modern and Mao Dun emotional level distance sense of it or find it difficult into the life of writer naturally feel, it is difficult to truly enter into the writer's thoughts and Perception. Observed the Mao Dun thirties cars writing two angles at the same time from a rational and emotional level, you can feel the Shanghai modern transitional color and implied childish. The modernization is both a circuitous repeated lengthy process, is also a motivating the people to build the imagination, but the car as synonymous with social progress substances representative of the industrial age, to participate in the historical narrative of Mao Dun, a modern typical material characterization. Narrative History of the car involved in the the powerful generalization force, its past, present and future integrated into, and establish a modern grand narrative satisfactorily through political imagination of the writers of the modern image of China's Shanghai and thus build. Express intellectuals concerned about national affairs, and actively participate in the political spirit of the traditional literati. Thirties cars, eventually failed to digestion social nature and characteristics of nationality solely to become mass consumer goods of daily life. It is manufactured in the West, the development in the West by the Tutsi introduction, is a combination of ideology and industrial social thinking, is an important topic that can not be bypassed in the complex modern process. History of the car in the continuation of this paper concern the initial modern car image reflects the urban works of Mao Dun social and cultural connotation.

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